Scrivener is a great tool for this kind of thing. Select “Show Project Targets” in the Project menu, and you get a little window with the basic stuff you need:
|Scrivener’s Project Targets|
The “Options…” button lets you set the deadline date, and what days of the week you intend to write (I set it to take Sundays off). Clicking on the rightmost number under the top progress bar lets you set the target manuscript size. You can adjust it later if you need. I set a somewhat optimistic target of 40,000 words, as you can see, although I now think 32,000 is going to be closer to the actual word count.
It’s pretty simple, really. Tell it how big, how often, and how soon, and it gives you a daily word count target (the “Session Target”). It has moved around some, as I’d write over 1000 words some nights and not at all on others, but right now it’s pretty close to the 850 words/day target I started with… which means that, averaged out over the last month or so, I’ve stayed pretty much on target.
• • •
Salon Doubles Down
There’s a disturbing trend these days. Some organizations will say or print something that’s rather detached from reality, and people will call them on it. Instead of doing some research, or anything that might lead them to have to say, “dang, we really hosed our credibility running that tripe,” they dig in. In some circles, it’s called doubling down on the stupid.
Enter Salon. Andrew Leonard kicked off the month of June with your basic publishing industry press release stenography (because committing journalism is a misdemeanor or something), called Amazon’s scorched-earch campaign. He threw around inflammatory phrases like “monopoly power,” “heavy-handed tactics,” and (the worst insult of all) comparing Amazon to Walmart. Of course, he provided no evidence that Amazon has a monopoly on anything, nor that what they’re doing is disproportionate, nor that they’re sending thousands of publishing jobs to China.
So indies, from Hugh Howey and J.A. Konrath all the way down to me, called them on it, providing counter-arguments with evidence. In some alternate universe, a senior editor at Salon acquired clue, pulled the article, and ran a more balanced piece that used actual data and provided links. In this universe… Salon doubled down on the stupid. This time, it was Laura Miller and Amazon is not your friend: Why self-published authors should side with Hachette. (This disturbing lack of title caps seems to be a thing with Salon. But I suppose if you're not doing actual journalism, it doesn’t matter.)
In this article, the points are:
- The only people defending Amazon are indies.
- Many indies are angry with traditional publishers because the authors failed to get in (or are former midlisters who got screwed over and dumped).
- Self-published authors really, really, really hate traditional publishing (actual quote here).
- High prices for tradpub eBooks help indies by allowing us to compete on price.
- A publishing contract is a business deal.
- Most indie works are dreck, slush pile, etc.
- Tradpub books are higher quality, and so deserve a higher markup.
- Amazon might screw us over in some unspecified future.
C’mon, tradpub supporters. Is this the best you can do? Really? Regurgitate the same tropes from 2010 and pretend nothing has changed? If anything, traditional publishers have been squeezing their authors even harder since eBooks started booming. With almost zero production costs, eBooks give publishers more profit… and lower royalties to authors. Don’t take my word for it, Lagardère (Hachette’s parent company) put it on their slides in their shareholder presentation. Hugh Howey has them on his blog.
As far as tradpub books being higher quality goes, just saying “50 Shades of Grey” would be too easy. It doesn’t take a rocket scientist to look at a book published 50 years ago, and one published now, and see how production quality has deteriorated. Typesetters have been replaced with Microsoft Word. Copyediting isn’t nearly as rigorous as it once was, and your typical tradpub book has plenty of typos and errors to go around. One of the hardcover editions of Dean Koontz’s Odd Thomas books had an entire line missing from the bottom of the first page! If they’d let that get by with Dean Koontz, what chance do midlisters have of getting a quality production run?
Finally, the notion that Amazon might stop giving indies decent terms—when the worst-case the detractors suggest might happen is still a better deal than authors get from traditional publishers—is laughable at best.
If publishers had some regard for authors and readers, beyond squeezing as much money as possible out of each, we wouldn’t be having this conversation.