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Wednesday, June 18, 2014

Writing Wibbles

When I released the first three Accidental Sorcerers novellas, I had a good start on the next story in the series. That wasn’t the case for Into the Icebound—I only had about 3000 words down for the sequel (working title Lost in Nightwalk). After sending four of these stories into the eBook stores, I now have a pretty good idea how long it takes to get a first draft knocked into shape. If I want to keep my “roughly six months” schedule, I’ll need to have the first draft done by mid-July.

Scrivener is a great tool for this kind of thing. Select “Show Project Targets” in the Project menu, and you get a little window with the basic stuff you need:

Scrivener’s Project Targets

The “Options…” button lets you set the deadline date, and what days of the week you intend to write (I set it to take Sundays off). Clicking on the rightmost number under the top progress bar lets you set the target manuscript size. You can adjust it later if you need. I set a somewhat optimistic target of 40,000 words, as you can see, although I now think 32,000 is going to be closer to the actual word count.

It’s pretty simple, really. Tell it how big, how often, and how soon, and it gives you a daily word count target (the “Session Target”). It has moved around some, as I’d write over 1000 words some nights and not at all on others, but right now it’s pretty close to the 850 words/day target I started with… which means that, averaged out over the last month or so, I’ve stayed pretty much on target.

• • •

Salon Doubles Down

There’s a disturbing trend these days. Some organizations will say or print something that’s rather detached from reality, and people will call them on it. Instead of doing some research, or anything that might lead them to have to say, “dang, we really hosed our credibility running that tripe,” they dig in. In some circles, it’s called doubling down on the stupid.

Enter Salon. Andrew Leonard kicked off the month of June with your basic publishing industry press release stenography (because committing journalism is a misdemeanor or something), called Amazon’s scorched-earch campaign. He threw around inflammatory phrases like “monopoly power,” “heavy-handed tactics,” and (the worst insult of all) comparing Amazon to Walmart. Of course, he provided no evidence that Amazon has a monopoly on anything, nor that what they’re doing is disproportionate, nor that they’re sending thousands of publishing jobs to China.

So indies, from Hugh Howey and J.A. Konrath all the way down to me, called them on it, providing counter-arguments with evidence. In some alternate universe, a senior editor at Salon acquired clue, pulled the article, and ran a more balanced piece that used actual data and provided links. In this universe… Salon doubled down on the stupid. This time, it was Laura Miller and Amazon is not your friend: Why self-published authors should side with Hachette. (This disturbing lack of title caps seems to be a thing with Salon. But I suppose if you're not doing actual journalism, it doesn’t matter.)

In this article, the points are:
  • The only people defending Amazon are indies.
  • Many indies are angry with traditional publishers because the authors failed to get in (or are former midlisters who got screwed over and dumped).
  • Self-published authors really, really, really hate traditional publishing (actual quote here).
  • High prices for tradpub eBooks help indies by allowing us to compete on price.
  • A publishing contract is a business deal.
  • Most indie works are dreck, slush pile, etc.
  • Tradpub books are higher quality, and so deserve a higher markup.
  • Amazon might screw us over in some unspecified future.
OK, the fourth and fifth points are good ones. Stopped clocks, blind squirrels, etc. The rest is once again long on flamebait, short on evidence. Now I remember why I quit reading Salon around 2006.

C’mon, tradpub supporters. Is this the best you can do? Really? Regurgitate the same tropes from 2010 and pretend nothing has changed? If anything, traditional publishers have been squeezing their authors even harder since eBooks started booming. With almost zero production costs, eBooks give publishers more profit… and lower royalties to authors. Don’t take my word for it, Lagardère (Hachette’s parent company) put it on their slides in their shareholder presentation. Hugh Howey has them on his blog.

As far as tradpub books being higher quality goes, just saying “50 Shades of Grey” would be too easy. It doesn’t take a rocket scientist to look at a book published 50 years ago, and one published now, and see how production quality has deteriorated. Typesetters have been replaced with Microsoft Word. Copyediting isn’t nearly as rigorous as it once was, and your typical tradpub book has plenty of typos and errors to go around. One of the hardcover editions of Dean Koontz’s Odd Thomas books had an entire line missing from the bottom of the first page! If they’d let that get by with Dean Koontz, what chance do midlisters have of getting a quality production run?

Finally, the notion that Amazon might stop giving indies decent terms—when the worst-case the detractors suggest might happen is still a better deal than authors get from traditional publishers—is laughable at best.

If publishers had some regard for authors and readers, beyond squeezing as much money as possible out of each, we wouldn’t be having this conversation.

6 comments:

  1. You tell it! I love the comment on Howey's blog on this topic, where the commenter says that as an indie author, they don't hate trad publishers... they're more indifferent. If I were in trad publishing, I would find that even scarier -- that people who are writing good, enjoyable stories just didn't care about signing on with a trad publisher at all.

    I've done some thinking about what an Amazon-less world would look like. E-books wouldn't go away, that's for sure. The convenience of one-stop shopping would be reduced... but there would still be lots of venues to find a book in.

    As you know, I knit, and most indie knit designers don't seem to have any trouble setting up a PayPal merchant account and distributing e-copies of their patterns (usually in DRM-free PDFs, interestingly). In the unlikely event that Amazon turns on indie authors (but why would they?), anyone who had figured out how to create a Kindle writer's account wouldn't have too much trouble figuring out other avenues.

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  2. Such an interesting topic and it's true traditional publishing is not what it use to be in terms of quality.

    Love that you use Scrivener tools, all I do in it is type ^_^

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  3. One of my fave scrivener tools, as you know, I am addicted to numbers and progress. I can't tell you how many times I pull that bar up a day when I am typing up what I have written by hand.

    We talked about the ridiculous salon article last night--I need to go share this on Twitter.

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  4. I saw the Salon article, but after the first few paragraphs, I stopped reading and headdesked. That was less painful than reading the whole article. I definitely don't hate traditional publishers because my 2 favorite authors are trad pubbed, but I have no desire to seek one out for my writing. It just doesn't seem a wise move.

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  5. Thanks, Katherine. As you might remember, I took Kristen Kathryn Rusch's advice to treat the writing like a business. When I did the back of the envelope calculations, going indie won on time-to-market. So I can't even say I'm "indifferent" as much as avoiding a bad business decision. If things change, and I expect they will in the next 5-10 years, I'll revisit my decision. I didn't include that in my post, because I didn't want it to be about me.

    Helen, I've half-joked that a big publisher should offer me big bucks to take over their eBook formatting. I'd have them knocked into shape pretty quick!

    Angela, amplifying the signal is always helpful.....

    Patricia, I do the hard work so you don't have to! :-D As I said to Katherine, I'm with you on "not a wise move."

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  6. I hadn't even read the article until you linked to it. I am thinking I didn't miss anything.

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Comments are welcome, and they don't have to be complimentary. I delete spam on sight, but that's pretty much it for moderation. Long off-topic rants or unconstructive flamage are also candidates for deletion but I haven’t seen any of that so far.

I have comment moderation on for posts over a week old, but that’s so I’ll see them.

Include your Twitter handle if you want a shout-out.

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