Writing Wibbles

The #1 thing, as always: new blog followers. It is with great pleasure I welcome my fellow #TuesdaySerial staffer and home maintenance slave Tony Noland to the free-range insane asylum! Tony, your badge is on the table — there’s a stun gun too, but the inmates are cowed by your mad tiling skills so you probably won’t need it.

You may have noticed a slight change in the bylines here on the blog. I’ve been slowly working toward this for a while now, first on Twitter and new sites… so here I bid a fond farewell to my FARfetched alias. Something you have to do when you want to get your writing out there, is to go by your actual name (or a reasonable-sounding pen name). I’ll still keep my AIM email for a while though.

Okay, on to the writing stuff. I’ve started a new serial in the Accidental Sorcerers world. The story (the latest #FridayFlash) has done pretty well so far, with a solid pageview count and more comments than any other story has received since early December. Many of the comments were requests for more, and by Monday evening I ended up with a 4700-word story in five parts. I hope the rest is as well-received.

For this story, I tried to apply lessons learned from listening to PodCastle 194: Their Changing Bodies.

1. Get to the point quickly. About 20 minutes in, I nearly turned off the podcast, because it felt like it was just meandering around in teen angst. Fortunately, turbulent traffic kept me from following through, and five minutes later I was hooked. I don’t want to give away the story line; go give it a listen. Subscribe to PodCastle while you’re at it. One of the good things about having an hour commute is that I can almost always listen to a complete story without a break.
2. Make visuals count. One of the things I noticed about Their Changing Bodies was that every line had a purpose. There were a lot of lines that could have easily been amusing throwaways, or just nice detailing, but they all contributed to the plot in some fashion.

I might not have racked up a perfect score on #2, but it did prevent me from including several throwaway lines. There are one or two things that will be picked up in later chapters… which might get missed by readers who don’t go back and read the whole thing again, but I’m hoping that I’ll have a short YA novel when all is said and done. I do need to impose some kind of arc on it, though.

While I’m not making lots of progress on my so-called “front burner” projects, Accidental Sorcerers is a fun world to write in and at last keeps me writing until one or the other projects boils over.

Writing Wibbles

As always, let’s start by welcoming a new follower to the free-range insane asylum: Anne Michaud, a fellow #FridayFlash'er!

The writing progress has been a little slow this week, but better than last week. Then again, getting anything done would be an improvement over last week. I’ve finished adding beta comments to Chasing a Rainbow, including some solid critiques of the introductory scene (posted as Far From Home). So thanks to Rachel Silvers et al for helping me out there. Sometimes, you can do too good a job: I was trying to make the reader feel what Chelinn and Lodrán were feeling, but what they were feeling was sensory overload. Good reminder to think about those kind of things.

I’ve added a few hundred words to the Chasing sequel, and I think I figured out why I’m stuck on Pickups and Pestilence — I was focusing too much on the pestilence and not enough on the characters. I should be able to parallel them somehow; once I figure out how, I’m off to the races.


On Monday, a lot of my friends on Twitter were up in arms about an article in the Guardian (a UK news outlet): Ebook sales are being driven by downmarket genre fiction. I posted the link this time, because I don't think it qualifies as link-bait. Sure, it has more than a few choice words for genre fiction:

The ebook world is driven by so-called genre fiction… No cliche is left unturned, no adjective underplayed. … In digital, dross rises.

That’s the snippy little snip that got a lot of people angry. But a little farther down, the article also has this to say about litfic readers:

There is a literary snobbishness at play here, clearly. … Consider those boys who read ostentatious poetry to pull winsome girls; the girls who read Vanity Fair to let the poetical boys know that they are clever and minxy.

The reading public in private is lazy and smutty. … I'm happier reading [historical fiction] on an e-reader, and keeping shelf space for books that proclaim my cleverness.

In brief: while genre fiction might be “low-brow,” litfic snobs (including the author, by admission) read it to impress — and they read genre fiction too, when they think nobody’s watching. When seen in that light, the “problem” with eReaders is that they make it harder to impress others of the preferred sex because they can’t see you reading Pride and Prejudice or whatever the “right” book is this week. So yeah, the article might be link-bait after all. But instead of getting one group riled up, this article tries to get everyone mad. I don’t have a problem with that.

But personally, I’ve never read anything because I wanted to impress someone else. I’ve done it for a grade, I’ve done it because a friend or relative handed me a book and said “this is good,” and most of all I've read books because I figure I’ll enjoy them. Maybe that’s because I’ve never lived where public transit goes anywhere I need. I get my fiction fix on commutes, via Podcastle and Escape Pod. I might start reviewing some of the stories I hear on those podcasts on my Tumblr blog.


Figuring I need to drum up some advance publicity for my next two releases, it occurred to me that I should add White Pickups and Chasing a Rainbow to Goodreads. I could have sworn I remembered seeing a how-to in their FAQ when I first joined, but couldn’t find it again. I tweeted a plea for help, and Loni Flowers had the right answer. Not only that, John Wiswell offered to do it for me. I ended up doing it myself, simply because I have more to add in the near future and don’t want to go bugging people when it’s not that difficult:

1. Click the magnifying glass in the search field.
2. In the page that comes up, click “Add a new book” over to the right.
3. Fill in the starred fields, add cover page art if you have it.

Yes, it’s that easy.

May your writing be so easy, and your reading as enlightening.

Writing Wibbles

Welcome to the chatter of a not-so-famous author (for now, heh heh)… Famous and other not-so-famous authors, and of course all readers, are welcome to share their own musings in the comments.

Some time in the last week, Tales from FAR Manor reached the 40,000 pageview mark. Actually, it reached that mark a while ago — stats only go back to May 2009 and the blog has been around for four years longer than that. I figure a lot of that traffic is spambots, judging from what lands in the moderation and spam filters.

Oh, speaking of pageviews: Three Sprites, One Silent has edged past Geek vs. Zombies as my most-viewed #FridayFlash story — the current count is 204 to 203 right now.

My Monday post about iBooks Author has done pretty well. It’s likely one of the most retweeted essays I’ve posted to date. If I wasn’t writing so much fiction, I’d try to turn out more essays like these. But there’s only 24 hours in a day, and I usually get less than one of them to spend writing.

So… maybe I’m not-so-famous now, but you never know, right? I’m sure if my stories get any serious traction, I’ll have people asking me things like “where do you get your ideas?” The answer is the question — or to make it easier to parse, the answer is “the question.” That’s how I handled the “one prompt, three genres” challenge: I looked at the picture and asked three questions:

• what’s a stump doing in the water? (Three Sprites, One Silent)
• what’s in that hollow? (Feast)
• what was on that tree before it was cut and flooded? (Initials)

White Pickups was originally a piece of flash fiction. I asked, “what happens next?” and 150,000 words later… More recently, I got feedback from Craig W.F. Smith’s beta read on Chasing a Rainbow. One of his comments was, “opens it up for sequels.” I thought to myself, “what would happen next?” and I got the answer in a Download From God. I figure while I’m waiting to get unstuck on Pickups and Pestilence, I’ll see where this goes. I don’t have even a working title for it, but do think it’ll run about 12,000 words.

[UPDATE] Now that it’s Thursday, I can share some new news. I’ve joined the TuesdaySerial staff! There’s an interview with yours truly at the link. If you’re writing (or podcasting) serial fiction, be sure to leave a link in the collector on Tuesdays, midnight to midnight (Eastern US time).

iBooks Author: the REAL Problem

APPLE WANTS TO
EAT YOUR COPYRIGHT!

There has been a lot of sensationalist “reporting,” breathlessly repeated on Twitter, about the licensing terms for Apple’s new iBooks Author app. I’m not going to reward blind panic with links, but I’m sure you can Google your way to something that would be “enlightenment” if there were any useful information to be gleaned from that link-bait. This fish ain’t bitin’.

The big problem is: there’s something that we, both authors and eReader owners, need to worry about and the link-bait articles aren’t telling us about it. And iBooks Author is only half of it.

Let’s take a look at the clause in the iBooks Author licensing agreement that has all the link-baiters going ballistic. Fortunately, it’s like the third paragraph down in the licensing agreement (under “IMPORTANT NOTE,” emphasis mine):

If you charge a fee for any book or other work you generate using this software (a “Work”), you may only sell or distribute such Work through Apple (e.g. through the iBookstore) and such distribution will be subject to a separate agreement with Apple.

XKCD always puts things in perspective.

I’ve bolded the part that should (but won’t) hush up the link-baiters and the fish that continue to bite at it. Let me make it clear:

Apple is only restricting the output of the software. What you do with eBooks generated by any other means is your own freeking business.

So basically, you can take your MSS and feed it to Amazon, Smashwords, or anywhere else you like. But if you’re selling your book (and aren’t we all?), the version you generate using iBooks Author — and only the version you generate using iBooks Author — has to be sold on the iBookstore. Apple may or may not approve it for sale, as they do for iOS apps on the App Store.

A lot of indie writers have talked about the problems we face, often put succinctly as “now that anyone can publish a novel, anyone does.” Most of us want to put our best foot forward, providing an engaging story at a price that won’t break readers’ banks while giving us the opportunity to earn some recompense for the work we put into bringing that story to the readers. Unfortunately, we are often lumped in with those who just throw whatever they have onto the eBook stores. What Apple is doing is attempting to guarantee some measure of quality (what measure that may be, I have deliberately left undefined) for people who want to sell enhanced eBooks in the iBookstore. Instead of welcoming this development, authors are running around with their hair on fire.

The Real Problem

Unfortunately, iBooks Author presents half of a real problem, one that nobody else is talking about. The other half is presented by… Kindle Format 8. Right up until the new year, we had to deal with only two eBook formats: MOBI (Kindle) and ePUB (everyone else). Both formats are well-standardized — you can build an ePUB by hand if you really want to (I’ve done it) and convert it to MOBI using Amazon’s free KindleGen utility. Now we have Apple’s extension to ePUB (i.e. iBooks Author) and Amazon’s extension to MOBI (Kindle Format 8) — and who’s to say B&N won’t jump into the game with their own incompatible extensions for Nook Color?

In short, it’s the browser wars all over again. The only winner of that war will be traditional publishers.

People writing technical documents, comics, and other works that require more formatting options than current eReaders offer are the ones in a bind here. They’ll have to live with the possibility that what works now might not work next year. They'll have to determine whether it’s worth the effort to work with features that are coded differently in different tablet eReaders, or if they should just work with one eReader and not the other.

I’d like to see a few zillion pixels dedicated to this instead of a misread licensing clause.

Writing (Editing, really) Wibbles

True to my word, I let Chasing a Rainbow sit for a week before looking it over. I printed it out and plunked myself down, pen in hand.

Before I continue, I should point out that I recognize three levels of editing severity:

• scalpel
• hatchet
• chain saw

This one fell into “scalpel” territory — I found things that needed fixing or tweaking, move a sentence, that sort of thing. Nothing major. Thinking maybe it was still too fresh, I went through the entire thing backwards. This worked very well for me when editing Xenocide, so I expected good things to come of the reverse pass.

I think I found two typos in 17,000 words. So far so scary.

Figuring I could just get embarrassed by a beta reader, I exported a MOBI and copied it into my Kindle to look over. Then I started finding things.

Meanwhile, the person I really wanted to beta-read this — Craig WF Smith — volunteered. W00T! So now it’s off to beta, and I’m looking forward to the results.

Now I need to bang out a #FridayFlash… like really quick.

Writing Wibbles

As always, let’s start with a big FAR Manor welcome for the new blog followers:

• Thaddeus Howze — fantasy writer and computer technologist
• Nicola Slade — a fine UK-based writer of fine cozy books of my acquaintance — hi Nicky!

Visitor badges are on the table, as always.

Sometimes, writing is like chasing a receding goalpost — but sometimes you catch it anyway. I finished Chasing a Rainbow over the weekend, a total of just over 17,000 words. After a quick typo pass, I decided to let it marinate for a week before starting a paper edit this weekend.

I’m also thinking about how I want to release it on an unsuspecting world. I know some authors have had good luck podcasting their stories, so I’m seriously considering that route (once again, with the ability to buy the eBook right away). Boran may take a shot at painting the cover, which would be pretty cool. That would give me time to make sure the story is in good shape, so it’s likely to see the light of 'pod sometime later this year.

Not much movement on the White Pickups front. sigh I’m in a similar blockage mode with Pickups and Pestilence that I was at one point with White Pickups, which suggests to me that I might be pushing the story in the wrong direction. Whatever it is I’m doing wrong, I hope the characters will let me know soon. I’m about ⅔ done with the story.


The “one photo, three genres” project is off to a roaring start. Three Sprites, One Silent has (as I type) 199 reads, which puts it very close to being my all-time most read #FridayFlash. Only Geek vs. Zombies has passed the 200 mark so far, and that just barely (at 201). I hope the next one is as well-received.

Speaking of #FridayFlash, my Christmas/motorcycle/horror story To Begin With was named #FridayFlash of the Month for December! I got interviewed and everything — go check it out! Good publicity is good publicity, you know.

And… there’s some other cool publicity-related stuff I'll get to next week…


While Amazon is officially discouraging authors giving out eBook sales figures, I think it’s safe to say that Xenocide hasn’t exactly marched to the top of the best-seller lists on either Amazon or Smashwords. Especially Smashwords. Even with a coupon that made it free, I only got a few more Smashwords free downloads than I did Amazon sales. It makes me glad that publishing Xenocide was a trial run, to see how much effort it took and what I’d need to do to smooth the path for the White Pickups release. But given the numbers, I’m seriously questioning whether it’s worth the effort to release an ePUB on Smashwords, even with the automatic distribution to Nook/Sony/iBooks/etc.

While a quick Google suggests the eReader market is split 67%/22%/11% between Kindle, Nook, and the rest, I also found an eBook sales page that suggests eBook sales are split 58%/27%/9%/6% between Amazon, B&N, iBooks, and the rest — which says that Nook users buy more eBooks than Kindle users. But my experience, and what at least some others are seeing, doesn't line up with this. For example, indie author Stephen Knight posted his sales figures on Monday, and to say his numbers are heavily skewed toward Amazon is an understatement (over 95% of his revenue came from Amazon!). This suggests to me that adding one’s books to Kindle Prime, which makes them Kindle-exclusive for the duration, doesn’t leave much money on the table. I’m not sure what’s happening here — it would be interesting to see how other writers are doing — but it could be that indies are having an easier time of it on Amazon’s store.

We’re all groping our way forward in the dark. Beware of people trying to sell flashlights.

Writing Wibbles

Oh look, two new followers to welcome!

• Chris Morton — a Taiwan-based writer who occasionally gets back home to the UK…
• Russell 1200 — “deep background on the human (inevitably) terminal condition”

Your visitor badges are on the table. Please, no flash photography.

I hoped (but did not expect) to get a lot of writing done during the two weeks I had off. It could have been worse — the holiday put a crimp in the writing time, but I did manage to write some. I even got on a roll… not with Pickups and Pestilence, but with Chasing a Rainbow. As with most of the tales I take on, it grew in the telling. I originally expected it to run about 10,000 words. I’m closing in on the end, I hope, and the current word count is 16,000. I think another thousand words will put this one to bed… a 70% overrun. Considering I originally expected White Pickups to be 30,000 words, and the current estimate is 180,000 (a 600% overrun), my estimates are improving!

Something interesting I’ve noted: sometimes, it feels like I have to push the first 200 words through the keyboard. At some point, without my realizing it, the next 800 (or more) words just flow out. It’s like pushing a car over the hill; gravity just takes over and I’m just along for the ride.

I’m not sure whether I’ll serialize Chasing (probably), or offer it for a buck on the eBook sites like with Xenocide, or both. By the way, the latter is currently free on Smashwords, using coupon code CE84M until the 10^th. I’ve had a few Xenocide sales, not enough to get to the payout level, and just a few more free downloads than purchases since I set up the coupon. I’d like to see a review or two, even tepid ones so I’ll know what to improve in my writing.

One problem with releasing Chasing as an eBook is that I have no book cover for it, nor any ideas for one. Oh well, that gives me time to shake out typos and other issues. But I’ll probably have to design my own cover, since (unless I’m pleasantly surprised) it’s unlikely I’ll get enough sales to cover the expense of having it done for me.

I need a 36-hour day.

Writing Wibbles

At last, Xenocide was approved for Smashwords Premium on Monday! I’m not sure whether they’re just getting swamped with titles these days or what — but to me, a “few days” (as their boilerplate says) to review implies maybe 3–5 days… not 8. So anyway, it should soon be available from Nook, iBooks, and several other stores where Smashwords distributes — hooray! It took longer than expected, yes, but I did get through on the first attempt. I don’t think it was that difficult: follow their style guide and it’s just tedious at worst.

But I haven’t exactly been sitting around waiting. In addition to my author page on Goodreads, I now have an author page on Amazon. Both have nice little gadgetry that displays excerpts from this blog, among other incidentals (like links to all the books I have out, which right now is one). Just another way technology is leveling the field for indie writers.

I kind of think this chaotic time will last for a few years, until publishers make it worth the indies’ while to stop being indie. A few of the current publishers will survive; others, like many hardcore smokers diagnosed with lung cancer, will prefer to die rather than make the changes necessary for survival. In their place will be the new wave of publishers, who never thrived under the old regime and are thus able to treat writers as partners rather than serfs. They’ll have faster publishing schedules, royalties more favorable to authors, and — best of all — they’ll handle most of the publicity.

Am I dreaming? Maybe delusional from this stupid chest cold? Maybe. But if one of the established players suddenly made those kinds of changes, I expect there would be an author stampede in that direction.

Writing Wibbles

Some medium-sized news this week — but first, let’s greet the new followers!

• LynnCee Faulk — a fellow #FridayFlash’er and fellow Planet Georgia resident
• Quinn Smythwood — “author by night” (careful, it’s the ones who don’t claim to be “mighty” you have to watch out for)

Your visitor badges, padded vests, and shock sticks are right here. The inmates may bite if you show fear, but will back off from a show of force.

Click to go to the
Amazon page

Okay, medium-sized news. After getting John Xero to look over the fixes I made one last time, on Sunday evening I decided to load Xenocide into the Launch Cannon and fire. I did do one last typo scan beforehand, which proved fruitful — reading a story backwards definitely breaks up the flow and can expose ugglies that your subconscious has managed to sweep under the rug, but does cause some eyestrain. As much as I hate typos, it was worth it.

I had several goals in mind with this launch: 1) See what it takes to get a book (even a short story) into the Kindle Store; 2) Ditto with Smashwords; 3) Find out how much effort it takes to get into Kindle Singles and Smashwords Premium; 4) Get into the Goodreads Author Program.

Note that the word “sales” didn’t appear above. This is really a practice run for when I load White Pickups into the Launch Cannon, like launching a chimp into space before launching people. Still, I do cherish the two people who actually laid down their dollar to buy it in the Kindle Store (and appreciate the three people who have previewed it at Smashwords even if they passed on buying it) as I write this on Tuesday evening. In that regard, the Xenocide launch has been a roaring success so far!

Using Scrivener for writing makes it almost trivially easy to hit the Kindle Store with the Launch Cannon, since it can “compile” a MOBI file (using Amazon’s KindleGen utility). If you’re not afraid of the command line, you could use Sigil to write your book, format to ePUB, then use KindleGen to convert that to MOBI — nearly as easy as Scrivener. The amusing part of launching into the Kindle Store was that Amazon UK had Xenocide up before the US store did! That may have had as much to do with timezones as anything else.

Putting on my publisher hat for a moment: frankly, the Smashwords setup leaves some things to be desired. The “Meatgrinder” is an impressive piece of software, taking an MS Weird file and turning it into pretty much every kind of eBook format in use, but XHTML would have (IMHO) been a better choice for an input file format. (Yes, I’m going to get technical here. Feel free to glaze over, or skip the rest of this paragraph.) Their FAQ says they used to accept HTML, but gave up on it because of the horrid non-compliant HTML they would get. But they can reject bad Weird documents, why not bad HTML? Or better yet, pass it through HTML Tidy for an automated cleanup? Or, they could take a clean ePUB (which is a collection of HTML files plus some sequencing info inside a Zip archive) and break that apart to create the other formats. XHTML (which is HTML that conforms to “well-formed” XML definitions) is very easy to parse and transform, and would eliminate the perceived need for a program I’ve learned to not trust with anything important. I ended up exporting RTF from Scrivener, reading that into OpenOffice, then (after cleaning up formats to conform to the Smashwords style guide) saved that to DOC and sent it on. [end tech stuff]

Now if all this translated to twice as many sales as the Kindle Store, it would be well worth the effort. However, early returns suggest it’s the opposite: you can expect more Kindle Store sales for less effort than getting into Smashwords. Still, Smashwords is probably worth the effort in the long run since (if you go for Premium status) it gets you into the B&N, Apple, Kobo, and Sony stores. They also issue your eBook a free ISBN number for inclusion in the Apple and Sony stores. You never know, Amazon might stumble and let one of the competitors become King of the eBook Hill.


I got the first draft of my #FridayFlash done today. It wasn’t difficult, as the story idea has been kicking around in my head since September 29 or so. I’ll explain Friday. Until then…

Writing Wibbles

Today, I’d like to talk a little about the story bomb. But before I do, go over to John Wiswell’s blog and read Making Ideas. Writers get asked about imagination a lot, he begins. Where do you get your ideas? It’s a really insightful post about the beginnings of the writing process.

Me, I ’m not that insightful — or at best, most of my insights don’t lend themselves well to description. I’m mostly a pantser (i.e. I write by the seat of my pants) and that really starts with the ideas. These Writing Wibbles can be difficult to write simply because I often don’t put that much thought into the process of writing; I’m too busy doing it. In the best of times, the characters are telling the story and I’m just taking dictation.

John makes an excellent point: you have to immerse yourself in good stories, in good writing, to train yourself to recognize it (and, we hope, create your own). I read a lot from the time I could read (before my fourth birthday… I cannot remember ever not being able to read) up to the time I plunged so deeply into the world of FAR Future that I was spending all my free time writing.

So where do I get my ideas? They just come. I’ve mentioned before, I believe creativity to be a reflection of the Divine, the image in which we were created. Sometimes, the idea comes in a snippet of a dream (in which I tell someone, “Dammit, you fool, I’m her father!” although she was made rather than born). Or there was the time I was driving to work and was surrounded by white pickup trucks for a half-minute. Writing prompts usually work best for me when I ask a question — what happened up to this point? — and if I ask the right question, the answer often comes in a story bomb and I’m off to the races. White Pickups was originally a flash piece, about 700 words, ending with Tina in the Saver-Mart parking lot. When I asked myself “so what happened next?” I got a 200 kiloword thermonuclear story bomb. Well, no — I didn’t get one Big One, it was more like a carpet story bombing that has kept me busy for nearly two years now. Accidental Sorcerers (and some partly-written follow-ons) came from a photo and an off-hand comment by the photographer.

What about you? Do you get ideas as a story bomb? Or do they just trickle in? Or do you just lasso an idea and drag it into the corral?

Let’s Go To the (Blog) Hop!

I was invited to participate in the Scribbles Blog Hop, and it sounded like a lot of fun, so here we go…

each writer is going to post pics of their writing journal/diaries/notebooks/notepads/etc and tell a little about their approach to writing, how & why they use their journals, and post links to the other bloggers participating.

I knew there was a reason I was saving all those scraps of paper…

Everything eventually finds its way into Scrivener on my laptop, but not all of it starts there.

After I got caught out with an idea at lunch, and nothing to write it on, I got into the habit of taking a pen and either a notepad or notebook to lunch with me.

Depending on how hard something is trying to get out of my head, I’ll either eat lunch (usually at the Johnny’s Pizza on Jones Bridge in John’s Creek) or just start writing right away and keep an eye out for the server. I’ve been going there long enough that the staff knows I drink unsweet tea and usually get two pizza slices with mushrooms. Once I get started, I’ll write until whatever it is gets completely out of my head or until it just gets too late to ignore how far overtime my lunch “hour” is running.

This particular scrap of paper contains what became Episode 74 of White Pickups. You may notice scratch-outs on the paper — those happen at the time I’m writing. I can’t get out of the habit of editing as I write. I’ll edit some more as I type things in — often inserting sentences or whole paragraphs.

One day I was poking around in a B&N while someone (I think it was Daughter Dearest’s boyfriend at the time) was at the nearby game store, and it was there that I saw the Moleskine rack. I bought one of the pocket notebooks, and bought a second one in May after I filled up the first one.

They’re awfully handy — it’s easy to see why (as the promotional literature wants you to know) the likes of Hemingway swore by them. The little pocket in the back holds note cards and other bits of not-quite-outlines that I’ll flesh out when the characters get off the dime and let me know what’s going on.

That pretty much leaves “why” — well, I’ve already explained part of it: it’s a convenience. As I wrote a couple weeks ago, writers are working when we’re staring out the window — but the downside to that is that we’re always working. So having a way to get words on paper when the ideas are coming, but the keyboard isn’t available, is crucial.

Now of course, that only works if someone (like Mason, the World’s Cutest Grandkid) doesn’t snatch the pen and Moleskine right out of your pocket:

I took this shot back in February, when he was about 18 months old. He’s 26 months now, and still likes to grab ’em when he can. Maybe once he learns to write, he’ll be writing his own stories too.

But until Mason starts sharing his stories with the world, go check out the other writers participating in the Scribbles Blog Hop:

Danielle La Paglia: http://daniellelapaglia.wordpress.com/

Anne Michaud: http://annecmichaud.wordpress.com/

Marianne Su: http://mariannesu.com/blog/

Victoria D Griesdoorn: http://www.vdgriesdoorn.com/

Ren Warom: http://renwaromsumwelt.wordpress.com/

J.A. Campbell: http://writerjacampbell.wordpress.com/

Tammy Crosby: http://tammywrites.wordpress.com/

Maria Kelly: http://mariakellyauthor.com/

Chrissey Harrison: http://chrisseysgreatescape.wordpress.com/

Natalie Westgate: http://nataliewestgate.com/

Tony Noland: http://www.tonynoland.com/

Larry Kollar: http://farmanor.blogspot.com/ (←you are here)

Writing Wibbles

Whew, I made it.

I recently finished reading a book (no, not the next review, nor the one after that) where the editing… well, there’s no easy way to put this. It started out really well, a few glitches here and there, all books have those. About halfway through, it got past the “all books” benchmark. In the last fourth of the book, the editing broke down completely. I tweeted the author about it — via direct message, no need to hang dirty laundry out in public — and she was pretty cool about the whole thing. Two people had edited it, and the author hadn’t looked it over before the final went out — heck, I’d have been inclined to think that two editors would have done the job as well. But like I said, she was pretty cool about it, and plans to roll out a corrected edition next month (hooray for eBooks!). I would probably have a very public meltdown if it happened to me; I’m anal about typos to the point where I’ll fix old blog posts if I see typos in them.

So I’m expecting lots of jitters before, and immediately after, the White Pickups release. I’ll be happy if it’s completely typo-free, but I need to keep some perspective — even if there are more than a handful, I can push out a corrected edition. I wanted to release it on Sep. 14, the day the story began, but I’d rather have it out late and right. I've probably gone through the entire thing several dozen times, no exaggeration — one advantage of serializing your work, it makes you go through it to make sure the next episode doesn’t wander off into the weeds. That’s one reason I’m going to start small (literally) with Xenocide as a short eBook. I figure I’ll learn several valuable things that I can use to make the White Pickups release go smoother.

I can’t remember, did I ever link to The Were-Traveler issue where my two drabbles appeared? My entries are #2 (Hunted), and in the middle (Unseen). If you haven’t seen them, go check them out. They’re all good.

Instead of a #FridayFlash this week, I’m participating in a bloghop. I think it will be interesting — there will be verbiage about how I use my handwritten notebooks and photos of my horrible penmanship, as well as links to other participants. (I may recycle a certain photo of Mason, just for the “the cute, it burns” factor.)

Weekend Wibbles

Writing Wibbles, Photo Wibbles, Life Wibbles, I need to start posting in the moment again.

But first, welcome to the two newest followers:

• S.M. Reine — author, proprietor of Red Iris Books, and (as you may remember) the person who designed my White Pickups cover.
• Carole Gill — an author whose goal, as she puts it, is to “push the boundaries of gothic romance.”

Your visitor’s badges are at the front desk — in a free-range insane asylum, you don’t want to be mistaken for an inmate!

Hallowe’en has come and gone. Mason had his first trick or treat experience, and brought home a modest bucket of loot. Now when he wants a piece of candy, he’ll say, “Trick or treat? Please?” As he loves Cars so much, Mrs. Fetched got him a pit crew uniform for his first outing.

If I had to caption this particular photo, it would be something like, “Well, they told me to make a scary face, so…” Or maybe “Caaaaandyyyyyy!”

This morning at church, he pulled a good one. He snagged a hymnal and sat down and said, “Read?” I reached for it, and he insisted, “I’m reading!”


Daughter Dearest has also been busy. She had her senior recital last weekend and it went pretty well. The preparations for the reception following were fairly intense, though. Fortunately, I was spared and and just had to keep Mason out of everyone’s hair.

We took video, and I took a few pictures:

I've learned that slightly de-saturating the photo is the best way to deal with the rather intense backdrop on the Falany Performing Arts Center stage. DD really has a gorgeous voice. I’ll link to the video somehow when Mrs. Fetched edits it down, so you won’t completely miss out.


Writing? Right. I’m definitely not doing NaNoWriMo, but cheering on anyone who is. I’ve got two people, John Xero and Chuck Allen, looking over the complete version of Xenocide so I’ll know it’s in reasonable shape. I’m using it as a “test bed” of sorts, turning it into an eBook so I’ll have an idea of what the overhead will be like for White Pickups as well.

My #FridayFlash piece from week before last (Geek vs. Zombies) pretty much confirmed a theory I came up with: if you want lots of pageviews and comments, write a zombie story. I got really close to cracking 200 pageviews, and got nearly 30 comments. Quite a spike when compared to other recent #FridayFlash stories (not to mention the #TuesdaySerial). So the big question: is it wrong to be a “zombie whore”? I don’t think so, not if you write them because you enjoy writing them. I like doing a slightly different take on the zombie apocalypse — such as scavengers on the edges of the horde, or even grass-eating zombies.

I’m working on a soundtrack for White Pickups. I’m about 40% done, and that’s just songs in my own playlists. I’ll continue looking for suitable tunes.


I happened across a site called ifttt (IF This Then That) recently. It’s really handy, the way it can tie many of your online services (and your phone) together. It doesn’t talk directly to Blogger, but does read RSS feeds, so I have it auto-tweet new blog posts and text me when someone comments. Several people have had trouble with Feedburner’s auto-tweet lately, and I pointed them to ifttt. I may expand on what I’m using it for later on. I also need to talk about Calibre, and how it can turn your Kindle (or other eReader) into an offline blog/news reader.

Writing Wibbles

Oh hey! Remember when I mentioned submitting two drabbles to the Were-Traveler? They were both accepted later that evening, woohoo! I’ll post a link when I get it.

I’m in the middle of a sort of writing break. I say “sort of,” because the flipside to working when you’re staring out the window is that you’re always working. But it’s a good way to fill up 20 minutes of downtime — for example, while I was waiting for choir practice to start I wrote down a few hundred words of a scene in Pickups and Pestilence, where Caitlin talks to Delphinia. That was interesting: after a false start with the opening sentence, I was off to the races. Something that I’ve known for a while but have just now put into words: if the opening isn’t working, start with dialogue. Seems like it works for me every time.

I’ll probably come up with something for #FridayFlash. Maybe something dark, as it’s the season (and I get bigger responses from darker fiction, insert evil laugh here). Speaking of responses, I’m a little disappointed in the (lack of) response to my current #TuesdaySerial. Makes me wonder if it’s that bad, or if it’s not grabbing people the way I’d hoped. I made an ePUB of the complete story and put it on the iPad for Mrs. Fetched to read; she’s found it interesting so far but I was hoping she’d have finished and offered general feedback by now. I’d like to have a couple beta readers check it out (Mrs. Fetched is an alpha reader of sorts).

On the other hand, in the last few days I won the Grand Prize of a big pile of (autographed!) paperbacks in the #LieOrDie event, and scored a couple eBooks in the #TrickOrTweet launch party from Red Iris Books. The latter was a ton of fun — the authors both ended up in Twitter Jail (is that a bird cage?) for posting too much — and I met a couple new tweeple. Tomorrow’s October Horror Spotlight will thus be focused on Red Iris.

Having decided to take a writing break, I’ve turned back to whittling my huge to-read pile. I started with G.P. Ching’s The Soulkeepers, which by coincidence is one of the paperbacks I’ll be getting from the #LieOrDie event. It was a great story — with a flaw or two, of course. But I so identified with Jacob (the main character) that I knew he was about to do something monumentally stupid and had to put the book down for a day because I didn’t want to see! (And I was right.) Yet another book that I need to review. I might combine three reviews into a single blog post this weekend.

Writing Wibbles

I have to admit I made little or no progress on the Pickups series this week. But I did finish a short story I started in January 2008, and actually came up with a title, Xenocide. It’s my #TuesdaySerial for the rest of the year; I kicked it off with Episode 1 yesterday. Comments (even negative ones) are always appreciated, of course. I think it’ll wrap up in the first or second week of January — by then, White Pickups should be in the eBook stores and Pickups and Pestilence should be in beta. I have a somewhat aggressive (for a guy with a day job and raising a grandkid) publishing schedule for next year: Pestilence, an anthology, and maybe a novelized version of FAR Future. If I’m really productive, maybe the first book of that YA trilogy will be out by the end of next year.


But that’s all I’ll talk about myself this post. I seem to remember seeing something about this when it hit the fan in August, but my Twitter buddy and fellow Planet Georgia denizen (and virulently anti-traditional publishing advocate) Kendall Grey reminded me about it today. The Write Lawyer weighed in on the saga of Kiana Davenport, who had the audacity to self-publish (with Amazon) an anthology to keep paying the bills while her novel was working its way through the sluggish bowels of the traditional publishing system. The publisher, Riverhead Books (a Penguin imprint), had rejected the anthology years ago but had a full-blown temper tantrum when they found out what she’d done. The editor delivered a lovely shouting session over the phone, accusing her of (among other things) “sleeping with the enemy” (i.e. Amazon). They then canceled her book and refuse to return to her the publishing rights until she returns the $20,000 advance (which she needed to pay bills and live on in the first place).

Davenport sums it up pretty well, I think, on her blog: “Sleeping with the enemy? Perhaps. But now I know who the enemy is.”


But as Kendall points out, it’s not just publishers taking far too long (to their own detriment) to adjust to the new world of self-propelled eBook publishing. After attending a local romance writers’ conference in Atlanta, she’s pretty much sworn off writers’ conferences. And, quite likely, the Planet Georgia chapter of RWA (who sponsored this conference).

All the writer conferences I’ve attended (yes, every single one) are geared for people looking for agents/editors to schmooze. … I do not belong with these people. I’m an outlier who doesn’t fit into their box. I refuse to wear their leash.

Responding to comments, of which there were many (and most supportive), Kendall did admit that there were other good things about writers’ conferences — the networking, promotional opportunities, and the like — which got me wondering. Would a writers’ conference geared toward indie- and self-publishers spark any interest? Rather than workshops on crafting the perfect query letter, what agents are looking for, and so on, the agenda could focus on topics relevant to indies:

• Setting up an author’s site
• Blogging stories
• Compiling an anthology
• Getting the formatting Just Right
• Print on Demand
• Promotion without driving all your friends crazy
• …and of course, the great plotters vs. pantsers smackdown

There could also be ad hoc crit groups and a “skills exchange” — as I wrote last week, you need a good team behind you, but not everyone has the cash upfront to hire that team. But I might be a typesetting gearhead and need an editor; she has editing chops and needs a cover artist; he can produce killer cover art and needs someone to format his own book. We could all take on the parts we’re good at, and everyone gets (we hope) a quality job without breaking the bank.

Kendall thinks I ought to take this and run with it. I don’t think I have that much time on my hands. But if people think it’s a good idea, I’ll try to facilitate it. If I get a lot of response, I’ll open up a new blog or website to keep things moving.

Writing Wibbles

I’m a few hundred more words into Pickups and Pestilence, which is that much closer to putting the finishing touches on this project. I’m enjoying the part I’m working on now, leading up to Cody’s final showdown with the trucks and their creator’s proxy. You ever get that kind of blockage where you know what you want to write, and can even recite some of the passages in your head, but just can’t seem to get it down on paper? But once you get that first sentence down, the rest just pours out like syrup.

Actually preparing to self/indie-publish a novel has called to mind a particular scene from Mason’s favorite movie, Cars. After the first race, the retiring veteran The King (voiced by Richard Petty himself) tries to give some advice to the vainglorious rookie Lightning McQueen: “This ain’t a one-man deal, kid… you ain't gonna win unless you got good folks behind you.”

And yes, that’s how writing is like NASCAR. The driver, or author, is the one whose name is plastered on the car (book). And that’s the person who gets cheered or booed — the pit crew or editor can screw up or save the day, but they’re rarely (or ever) named. The NASCAR driver has mechanics and engineers who optimize the car for each race, has a pit crew to get the car back out on the track, and (especially at the big-money Nextel Cup and Grand National levels) has sponsors providing funding. In the same way, a successful author is the most visible member of a team that includes beta readers, editors, cover designers, typesetters, and (again, at the big-money levels) publishers who turn a story into a book. Now some authors, especially at the indie level, might do their own cover design or typesetting (which translates to eBook formatting in this century), and many people are their own publishing house. But it’s when authors or drivers go in thinking it’s a one-person show, that things don’t go so well. There are no guarantees — drivers and authors alike can land a big sponsor or publisher, and still end up at the back of the pack — but “[getting] good folks behind you” is necessary to do well both on the track and in the Kindle Store, Nook Store, iBooks, or Smashwords.

On the really short end of story telling, Maria Kelly’s The Were-Traveler is looking for submissions for a Hallowe’en Drabble issue. A “drabble” is a story that runs exactly 100 words, no more no less. As Maria puts it, “The trick to writing a good drabble is a great twist ending. Give me that, and you’re in.” I managed to come up with two and sent them in. I never wrote a drabble before (deliberately, at least), so I hope I did OK. The page I linked to itself links to submission guidelines and the preferred word-count tool — yes, different word counters can and do come up with different results. My own metric of “leave three blank lines on a Moleskine page” gets it in the ballpark, anyway. If you want to give it a shot, the deadline is October 20th (extended from the 10th, which was good for me because I only figured out the subjects of my drabbles on the 10th).

Tomorrow is the second October Indie Horror Spotlight. I don’t see any reason (right now) to not have it up on time this week.

Indie Author Horror Month!

A few years ago, I celebrated October by posting links to classic horror movies found on archive.org. This year, I’m arbitrarily proclaiming October to be Indie Author Horror Month. I should have started doing this last month, but I only thought about it today. Better late than never, right?

To celebrate, I’m going to post a list of horror fiction by indie authors. I want to support indie authors, because I’ll soon be one myself (hoping this very month!) and I think it’s the right thing to do in any case. So here’s a chance to plug your book!

1. Let me know about a book or story you want spotlighted! Authors are welcome to send in their own work, and everyone else is welcome to make suggestions too. Books, eBooks, and blog fiction are welcome. (If I get reader suggestions for any title, I’ll mention that.) Message me on Twitter at FARfetched58, or email lkollar at gmail dot com — or just leave a comment here if you’re in a hurry. If you email, put “Horror Spotlight” in the Subject title. If I get a bigger response than expected, I’ll use that to set up a Gmail tag. Include a link so people can buy the book, if applicable.
2. Let other writers know about this. Tweet it, Facebook it, Plus it, spread it around in forums. Include a link back here, or to…
3. On Thursdays, I’ll post — then you can buy or download the books that interest you! (I’ll probably run links through my Amazon affiliate account so I’ll make a few cents too. Yeehaw.)

Note that there’s no requirement about following me on Twitter, or following my blog, to participate. But I sure won't object if you want to follow either or both. ;-)

If I get a halfway decent response with this, I’ll spotlight another genre (thinking sci-fi right now) in January.

Writing Wibbles

You would think I would have had plenty of time to crank one of these out last week. But, no. I was actually getting some writing done while traveling on business to our office in Beaverton, OR (more about that later). Kind of nice to be able to come to a quiet hotel room and not worry about people wanting you to Drop Everything and take care of their stuff.

The writing action the last couple of weeks was centered around Pickups and Pestilence. I figured out how Chapter 8 was going to fly, and that filled in a serious gap in the story. If I were to start serializing it today, at the usual one a week, I’d have a year’s worth of episodes in the queue. I think I’m about ⅔ of the way done with it.

Even better, I now have a clear view of the endgame. Among writers on Twitter and the blogs, there’s a “plotter or pantser?” meme (we have too much fun with it to call it a controversy). After writing just over 150,000 words on the White Pickups two-fer, I’ve finally figured out how it ends. I’ve had some thoughts about it all along, even from the time when I expected White Pickups to be a 30,000-word novella instead of two large novels, but none of them ever felt quite right. This is definitely pantsing, i.e. writing by the seat of my pants. The thing is, it actually works for me. Of course, what’s really happening is that I’m taking dictation from the voices in my head. Naturally, the changes reverberated all the way back to Chapter 1 of White Pickups. Funny thing was, several things I put at the end of the first book are tied to the ending of the second. Maybe the voices in my head knew all along and gave it to me piecemeal.

My next large project, tentatively called Wings, is going to be largely plotted. In fact, much of the plotting is done already. I did that as a compromise — it wanted some attention, and I’m trying to stay focused on finishing a large commitment as described above, so I threw down as many details as I could into a mindmap (you may remember this wibble from July). I did it so I won’t forget important details when it actually comes time to start writing, rather than any serious conversion to plotting (I think a plot is like a battle plan: neither of them survives very long once they’re actually used).

Maybe some of you are still stuck on the “year’s worth of episodes” thing three paragraphs back, thinking Hey FARf, if you’ve got that much done why aren’t you posting them already? Well, I’ve been thinking about that ever since I got back from Oregon. Here’s what’s going to happen: I’m going to get White Pickups released, I hope some time next month. When I hit some arbitrary sales figure (50? 100? don’t know yet), I’ll start posting episodes. I’m hoping to complete the first draft of Pickups and Pestilence by the end of the year, and have it ready for release in the spring, so it should be available long before the last episode goes up on the blog. (You see where I’m going with this?) If you don’t want to wait to see how it ends, you’ll be able to get the eBook.

Yes, I’m pantsing this whole marketing and promotion thing too.

For my #FridayFlash this week, I’m going to try really hard to do something with Icy Sedgwick’s prompt: “write a story about a pirate captain, a fictional Londe bus route, and a kidnapped bear cub.” I’m going to assume “Londe bus” means “London bus,” since that’s what Google thought it meant.

Vacation Writing Wibbles

It’s been an odd week for writing, both good and bad. But first, let’s greet the new follower:

• Philip Ellis — I couldn’t find your website, but shoot me some info and I’ll update!

Being at the resort, I have to go to the clubhouse or office to get Internet access — between Mason and Mrs. Fetched each needing attention, that has been catch as catch can. Writing has been a little easier: I don’t have to go anywhere to do that, and not being able to mess around on Twitter means I have one less distraction/excuse to crank out some words.

Of course, I’d have preferred to focus on Pickups and Pestilence, but I’ve had some trouble putting scenes into words with that one. Instead, I’ve found myself working on a pair of novellas. The first, Chasing a Rainbow, is a fantasy based on a completely worn-out trope; I’m hoping the main characters will make it worth the read. The second, which doesn’t even have a working title, is a sci-fi/detective mashup. I don’t want to get too detailed about either one, since I hope to post one or both as Tuesday Serials when I get them closer to completion.

A shelf here in the clubhouse has a ton of toys to keep Mason occupied, and a random collection of books up top. I picked up Full Dark, No Stars by Stephen King day before yesterday and plowed through it in a day. Most of King’s work is a quick read, at least for me, so I knew I wouldn’t end up leaving it unfinished. I left a review on Goodreads if you’re curious.

And that’s been my Week in Writing.

Writing Wibbles

Greetings to all y’all…

It’s been a strange week for writing. The three-day weekend at Mom’s didn’t let me do much more than nibble at the edges of things, although I did finish up a third segment of On the Georgia Road that may become my #FridayFlash this week if another idea doesn't strike me tomorrow. But I’ve mostly been trying to get some momentum on Pickups and Pestilence — filling in holes here and there, trying to get rolling on the last half of the story. Some time in the last week, an important detail finally became clear: I’ve known for a long time what’s behind the pickups, but not why they’re white pickups instead of a Maserati or Ford Expedition. Only 140,000 words in before I figured it out.

Mom says, “needs more nasties!” There’s a group that fits the description in Pickups and Pestilence, but I also have a feeling our heroes will run into Perry Adams…

Meanwhile, I’m not neglecting White Pickups. I’ve begun tackling the dreaded “blurb,” the summary on the back cover of printed books. The White Pickups page has the first attempt; Mari Juniper (my April Fool’s Blog Swap partner) gave me some suggested fixes that I’m working on now. I never realized how difficult it could be to condense a 95,000-word story into a single paragraph of promotional come-on. But I’ve summarized 500-page technical manuals with a haiku. I can do this.


A week ago, I said I was going to change the blog template because of several deficiencies: the “contact me” link went nowhere, and not having the Share buttons, were the two big ones. But I also wanted the “comment” link at the bottom of each post, where it’s more likely to get clicked by someone who just finished reading. I figured I should check the Deluxe Templates site for an update before doing anything drastic — there wasn’t an update, but there were instructions for adding the Share buttons! That didn’t include the +1 button, but a little poking around on the Blogger site led me to a fix for that too. Fixing the “contact me” link was trivial by comparison; I pointed it at my profile for now. For whatever reason, I figured out how to copy the “comment” link to the bottom this time, when I couldn’t when I first started using Abrasive.

So now I have almost everything I wanted. The last part, making the sidebar wider (from 180px to 240px), involves widening the background graphics as well. I have Photoshop Elements, so I don’t expect that to be a huge problem. Speaking of the sidebar, I put a small copy of the White Pickups cover in there.

Then when I was reading Tony Noland’s #FridayFlash last week, I noticed he had a “LinkWithin” widget at the bottom of his posts that links to related posts on his blog. The widget also had a link to its home site, so I followed that and found easy instructions for adding one to TFM… so I did. It’s kind of fun, seeing what posts come up and sometimes following them. It was a little random at first; it said it could take a few hours to index the blog. Given that TFM is approaching 1,300 posts, it might have taken a few days.

So I have all these new features bolted onto the blog, and once I get the sidebar widened that’s going to be all the changes for a while. Feel free to click them to see what else is lurking here — or share it around with your friends, of course. Smack that +1 button if you like a post. Don’t forget to leave a comment…