The End is Just the Beginning

Somebody pinch me. Bonus points if you’re female and I get to pinch back.

It appears that we have outlasted the chicken houses!

Tyson’s, using their usual “company store” debt-slavery tactic, demanded some rather pricey upgrades to the chicken houses to renew the in-laws’ contract. They said “nope,” and thus the last batch was scheduled to leave around the end of March. However, since the entire paycheck goes out the furnaces during winter grow-outs, the in-laws pulled the plug after the last batch left Friday night. Permit me a brief…

WOOOOO-HOOOOOOOO!!!!

This leaves the farm with four empty chicken houses and still a small hill of debt remaining. Several possibilities have been bandied about for making the houses pay the rest of their way — some kind of greenhouse seems to be the idea that we all keep coming back to. It's actually not a bad idea; the houses have lights, water, heat, and ventilation. And fertilizer. Lots of fertilizer. If we replace some of the roofing tin with plexiglas, we can get some sunlight into the middle of the houses as well. I’m pushing for herbs (cooking, not smoking) as a primary crop, since the stores charge like two bucks for an ounce of leaves and they can grow like weeds under the right conditions. The agent at the ag coop that has the loan had several good suggestions for marketing and lining up customers. The upside is, you can go away for a weekend and not come back to a thousand dead chickens to pick up.


In less pleasant news, M.A.E. seems to be back at the manor. She can’t seem to pick friends who can handle her desired lifestyle, which is to spend the entire day on Facebook and do as little as possible to help around the house. She’s brought her daughter (Moptop is no longer a good moniker for her as her curls have gone for now) over for weekends and she and Mason have a great time antagonizing each other.

Gotta take the bad with the good, I guess.

Let’s Go To the (Blog) Hop!

I was invited to participate in the Scribbles Blog Hop, and it sounded like a lot of fun, so here we go…

each writer is going to post pics of their writing journal/diaries/notebooks/notepads/etc and tell a little about their approach to writing, how & why they use their journals, and post links to the other bloggers participating.

I knew there was a reason I was saving all those scraps of paper…

Everything eventually finds its way into Scrivener on my laptop, but not all of it starts there.

After I got caught out with an idea at lunch, and nothing to write it on, I got into the habit of taking a pen and either a notepad or notebook to lunch with me.

Depending on how hard something is trying to get out of my head, I’ll either eat lunch (usually at the Johnny’s Pizza on Jones Bridge in John’s Creek) or just start writing right away and keep an eye out for the server. I’ve been going there long enough that the staff knows I drink unsweet tea and usually get two pizza slices with mushrooms. Once I get started, I’ll write until whatever it is gets completely out of my head or until it just gets too late to ignore how far overtime my lunch “hour” is running.

This particular scrap of paper contains what became Episode 74 of White Pickups. You may notice scratch-outs on the paper — those happen at the time I’m writing. I can’t get out of the habit of editing as I write. I’ll edit some more as I type things in — often inserting sentences or whole paragraphs.

One day I was poking around in a B&N while someone (I think it was Daughter Dearest’s boyfriend at the time) was at the nearby game store, and it was there that I saw the Moleskine rack. I bought one of the pocket notebooks, and bought a second one in May after I filled up the first one.

They’re awfully handy — it’s easy to see why (as the promotional literature wants you to know) the likes of Hemingway swore by them. The little pocket in the back holds note cards and other bits of not-quite-outlines that I’ll flesh out when the characters get off the dime and let me know what’s going on.

That pretty much leaves “why” — well, I’ve already explained part of it: it’s a convenience. As I wrote a couple weeks ago, writers are working when we’re staring out the window — but the downside to that is that we’re always working. So having a way to get words on paper when the ideas are coming, but the keyboard isn’t available, is crucial.

Now of course, that only works if someone (like Mason, the World’s Cutest Grandkid) doesn’t snatch the pen and Moleskine right out of your pocket:

I took this shot back in February, when he was about 18 months old. He’s 26 months now, and still likes to grab ’em when he can. Maybe once he learns to write, he’ll be writing his own stories too.

But until Mason starts sharing his stories with the world, go check out the other writers participating in the Scribbles Blog Hop:

Danielle La Paglia: http://daniellelapaglia.wordpress.com/

Anne Michaud: http://annecmichaud.wordpress.com/

Marianne Su: http://mariannesu.com/blog/

Victoria D Griesdoorn: http://www.vdgriesdoorn.com/

Ren Warom: http://renwaromsumwelt.wordpress.com/

J.A. Campbell: http://writerjacampbell.wordpress.com/

Tammy Crosby: http://tammywrites.wordpress.com/

Maria Kelly: http://mariakellyauthor.com/

Chrissey Harrison: http://chrisseysgreatescape.wordpress.com/

Natalie Westgate: http://nataliewestgate.com/

Tony Noland: http://www.tonynoland.com/

Larry Kollar: http://farmanor.blogspot.com/ (←you are here)

Book Review: Six Moon Summer

This is the first in the “Seasons of the Moon” YA series by S.M. (Sara) Reine. A promising, even exciting, start.

Price/Length: $2.99 / 50,000 words

Synopsis: Rylie’s having the worst summer ever: her parents are divorcing, and they’ve sent her to summer camp to get her out of the crossfire. She’s a city girl in the woods, and the other girls at camp have made her their personal chew toy. Even worse, she got lost in the woods and was bitten by something, and now… she’s changing. Her vegetarian ways are giving way to a craving for raw meat, and twice a month — at the new moon and full moon — things get seriously weird. The one high point of the whole experience, the cute boy from across the lake who keeps coming to see her, only makes things more complicated.

Storytelling: ★★★★★ This is a great take on the traditional werewolf story; it stays true to the legends while introducing new wrinkles (like the new moon changes). So much of horror these days is zombies and vampires (sparkly and otherwise), and it’s almost refreshing to see a reminder that there’s more to life and unlife. As a YA novel, it walks the tightrope with aplomb — plenty of boy/girl, but avoids sex scenes. I wouldn’t have a problem giving the book to a 12-year old, or even a bright 10-year old.

Writing: ★★★★★ Sara creates characters you care about and characters you love to hate. The Mean Girls got me hoping that Rylie would chew them up and spit them out, at the same time hoping she somehow kept her humanity. Her parents made me want to rattle their cages until they get their acts together. I cringed at Rylie’s mistakes and cheered her triumphs.

Editing: ★★★★ Very good, near professional-quality editing. A few typos, nothing cringe-worthy. If I get my book out at this level, I’ll be satisfied.

Summary: I’m looking forward to reading All Hallows Moon, the next book in the series. ’Nuff said!

Writing Wibbles

Whew, I made it.

I recently finished reading a book (no, not the next review, nor the one after that) where the editing… well, there’s no easy way to put this. It started out really well, a few glitches here and there, all books have those. About halfway through, it got past the “all books” benchmark. In the last fourth of the book, the editing broke down completely. I tweeted the author about it — via direct message, no need to hang dirty laundry out in public — and she was pretty cool about the whole thing. Two people had edited it, and the author hadn’t looked it over before the final went out — heck, I’d have been inclined to think that two editors would have done the job as well. But like I said, she was pretty cool about it, and plans to roll out a corrected edition next month (hooray for eBooks!). I would probably have a very public meltdown if it happened to me; I’m anal about typos to the point where I’ll fix old blog posts if I see typos in them.

So I’m expecting lots of jitters before, and immediately after, the White Pickups release. I’ll be happy if it’s completely typo-free, but I need to keep some perspective — even if there are more than a handful, I can push out a corrected edition. I wanted to release it on Sep. 14, the day the story began, but I’d rather have it out late and right. I've probably gone through the entire thing several dozen times, no exaggeration — one advantage of serializing your work, it makes you go through it to make sure the next episode doesn’t wander off into the weeds. That’s one reason I’m going to start small (literally) with Xenocide as a short eBook. I figure I’ll learn several valuable things that I can use to make the White Pickups release go smoother.

I can’t remember, did I ever link to The Were-Traveler issue where my two drabbles appeared? My entries are #2 (Hunted), and in the middle (Unseen). If you haven’t seen them, go check them out. They’re all good.

Instead of a #FridayFlash this week, I’m participating in a bloghop. I think it will be interesting — there will be verbiage about how I use my handwritten notebooks and photos of my horrible penmanship, as well as links to other participants. (I may recycle a certain photo of Mason, just for the “the cute, it burns” factor.)

#TuesdaySerial: Xenocide, pt 4

Previous episodes: Part 1 • Part 2 • Part 3

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Xenocide, Episode 4
Doc Dix

Doc Dix was the county coroner from back before urban sprawl turned our sleepy little county into a hotbed of subdivisions, retail strips, and shopping malls. He’d adapted well to the changes; sometimes he complained about how much busier he was than twenty years ago, but he did love the work. Data he’d provided cracked more than one important case over his career.

“What brings you here?” he asked. “If it’s that thing Tenesha and Ali brought in day before yesterday, the Feds took everything. Bastards even took the instruments I used for the autopsy. You think they’ll compensate the county?”

“Probably not. But I’m here about the Jones case.” He gave me a puzzled look and I winked. “I’ve got something to show you concerning it.” I led him out back.

“What is this about?” Dix glared at me — he was pushing sixty, if it wasn’t pushing back already, and he was starting to get a little grumpy in his old age.

“A precaution. We’ve found listening devices in our offices and patrol cars, and it’s likely the Feds bugged your office too.”

He swelled up. “Bastards! What right—”

“They’ll just deny it was them if you confront ‘em. Best thing to do is let ‘em think we’re letting them handle it all on their lonesome.”

“Hm. Underhanded, I say. I didn’t vote for your boss, by the way. He’s sneaky.”

“Personally, I like working for him. But I didn’t come to talk local politics.”

“I suppose. Well, like I said, they took everything. Everything but my memories.”

“That’s really why I’m here. Do you remember a bag coming in with the body?”

“Ah. Didn’t you inspect it?” Doc Dix gave me a mocking look.

“No, the smell got to me. Funny thing for a cop to say, I know —”

“No shame there. It nearly overwhelmed me as well, and I’ve dealt with bodies in every state of decay.”

“I’m sure. So you inspected the bag?”

“Of course. But I couldn’t tell you what the contents were with any certainty. Food and technology is about the best I could tell you.”

“What about the breathing mask?”

“Ah. Now that was interesting. It resembled a portable oxygen concentrator, but it was concentrating methane.”

“Really?”

“If I’m not mistaken, and I’m quite sure I’m not. There was a canister of methane attached to the apparatus, perhaps as an emergency supply. I speculate that the creature naturally inhaled a methane-oxygen mix and exhaled good old CO₂.”

“Huh. Any chance the breather was failing?”

“None whatsoever. I’ve never examined an alien lifeform before, but I’m confident in my diagnosis. Cause of death was blood — loss of whatever vital fluids it had — and organ damage from multiple double-ought buckshot wounds. I’d further speculate that the creature was lurking in the vicinity of livestock, where abundant excrement would provide sufficient methane for its needs.”

“Sounds plausible. Did you tell the Fibs all that?”

“Of course not. However, I’d made notes and they did carry those off as well.”

“What about time of death? Any thoughts there?”

“Hard to say, given the nature of the victim. Certainly no more than a day or two prior to discovery, though.”

“Thanks, Doc. I knew you’d be a big help.”

“I always try to be.”

“You always have been. If we need to phone each other about this, we can call it the ‘Jones case’ again. But details outside the office or vehicles, got it?”

“Understood. Sneaky, like your boss. But warranted, in this situation.”

I drove away, chewing on the implications. It made sense: Farmer John Doe lets fly at a perceived threat to his herd, panics over the thought of creating an interstellar incident, figures to ditch the evidence up in the mountains. The smell gets to him and his — son? hired hand? — before they can get that far, and they unload it the first place they can find.

“Could have been a sewage plant,” I almost said aloud. I didn’t know of any sewage plants that felt their security needed 12-gauge shotguns, though.

continued…

Book Review: Checkmate and Other Stories

Icy Sedgwick is a #FridayFlash regular on Twitter (she tweets as @icypop), and Checkmate is a collection of 15 of her short pieces. It’s a good choice for a rainy weekend afternoon or plane trip.

Price/Length: $0.99 / 15,000 words

Synopsis: A collection of Icy’s flash fiction, published between 2008 and mid-2010. The stories run the gamut of fantasy, sci-fi, and horror, and are arranged in chronological order of publication.

Storytelling: ★★★★★ Icy has an amazing ability to write dark fiction with an oft-humorous twist. While all of them are well-written, six of the stories stand out as particularly memorable for me:

Midas Box — a young woman’s life takes a turn when she is given a very special box.

Checkmate — in which the fate of the world is decided over a coffee shop chessboard.

My Bleeding Heart — a macabre twist on an old pun.

Bleed Them Dry — a vampire has more than one way to draw blood.

The Mirror Phase — a creepy story of a little girl fascinated with a mirror.

The Dead Do Listen — sometimes, the dead want to set the record straight!

Writing: ★★★★★ Like most #FridayFlash participants, Icy is versatile and can write well in many genres. In fact, her Western novel, The Guns of Retribution, was recently released in paperback and eBook by Pulp Press.

Editing: ★★★★ Checkmate stands out in the self/indie-published arena as having very few typos or other editing issues. I ran across maybe one or two minor issues. All books — indie or otherwise — should have this much care put into them. The only real glitch I ran across was a formatting thing: using the Kindle’s “five-way” to move between stories put the original place of publication at the top of the page, and the title at the end of the previous page. This may have been something Smashwords did.

Summary: Brief as it is, this is a steal for 99¢. If you enjoy dark fiction, you’ll find big enjoyment in these short works.

If you like Checkmate, you might be interested in some of Icy’s other work:

• The Guns of Retribution (Western)
• The First Tale (a “vaguely steampunk” novella, set in Icy’s Vertigo City)

Weekend Wibbles

Writing Wibbles, Photo Wibbles, Life Wibbles, I need to start posting in the moment again.

But first, welcome to the two newest followers:

• S.M. Reine — author, proprietor of Red Iris Books, and (as you may remember) the person who designed my White Pickups cover.
• Carole Gill — an author whose goal, as she puts it, is to “push the boundaries of gothic romance.”

Your visitor’s badges are at the front desk — in a free-range insane asylum, you don’t want to be mistaken for an inmate!

Hallowe’en has come and gone. Mason had his first trick or treat experience, and brought home a modest bucket of loot. Now when he wants a piece of candy, he’ll say, “Trick or treat? Please?” As he loves Cars so much, Mrs. Fetched got him a pit crew uniform for his first outing.

If I had to caption this particular photo, it would be something like, “Well, they told me to make a scary face, so…” Or maybe “Caaaaandyyyyyy!”

This morning at church, he pulled a good one. He snagged a hymnal and sat down and said, “Read?” I reached for it, and he insisted, “I’m reading!”


Daughter Dearest has also been busy. She had her senior recital last weekend and it went pretty well. The preparations for the reception following were fairly intense, though. Fortunately, I was spared and and just had to keep Mason out of everyone’s hair.

We took video, and I took a few pictures:

I've learned that slightly de-saturating the photo is the best way to deal with the rather intense backdrop on the Falany Performing Arts Center stage. DD really has a gorgeous voice. I’ll link to the video somehow when Mrs. Fetched edits it down, so you won’t completely miss out.


Writing? Right. I’m definitely not doing NaNoWriMo, but cheering on anyone who is. I’ve got two people, John Xero and Chuck Allen, looking over the complete version of Xenocide so I’ll know it’s in reasonable shape. I’m using it as a “test bed” of sorts, turning it into an eBook so I’ll have an idea of what the overhead will be like for White Pickups as well.

My #FridayFlash piece from week before last (Geek vs. Zombies) pretty much confirmed a theory I came up with: if you want lots of pageviews and comments, write a zombie story. I got really close to cracking 200 pageviews, and got nearly 30 comments. Quite a spike when compared to other recent #FridayFlash stories (not to mention the #TuesdaySerial). So the big question: is it wrong to be a “zombie whore”? I don’t think so, not if you write them because you enjoy writing them. I like doing a slightly different take on the zombie apocalypse — such as scavengers on the edges of the horde, or even grass-eating zombies.

I’m working on a soundtrack for White Pickups. I’m about 40% done, and that’s just songs in my own playlists. I’ll continue looking for suitable tunes.


I happened across a site called ifttt (IF This Then That) recently. It’s really handy, the way it can tie many of your online services (and your phone) together. It doesn’t talk directly to Blogger, but does read RSS feeds, so I have it auto-tweet new blog posts and text me when someone comments. Several people have had trouble with Feedburner’s auto-tweet lately, and I pointed them to ifttt. I may expand on what I’m using it for later on. I also need to talk about Calibre, and how it can turn your Kindle (or other eReader) into an offline blog/news reader.

#FridayFlash: Antibodies

This is another story idea that’s been kicking around in my head for a long time. I originally intended to make it a brief screenplay. It may happen yet.

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Antibodies

The waitress departed, and something nudged Jan’s foot.

“You said you need gym clothes, da? For your health?” The bulky blonde man across the table smiled at him.

There would be no cheating, but all the same Jan pulled the gym bag into his lap, keeping it out of sight as he peeked inside. As agreed, it was stuffed with zlotys and euros. He reached inside and felt the four gold bars at the bottom.

“Just my size!” he grinned, slipping the bag under the table. “Any company logo?”

“Nyet. No. No markings of any kind. I saw to it myself.”

“Ah, good. Are they made in China?”

“Likely. Or perhaps Pakistan.”

The waitress brought their supper, pierogies and borscht, and they were quiet for a while. Jan lived in a decaying industrial town in the Polish heartland, but this café was quiet and served good food. And if Jan often dined with strangers in suits? He did computer work for a firm in Warsaw, and on occasion, they needed to visit him here.

“A question, if I may,” said the visitor. “Only personal curiosity.” At Jan’s nod, he continued: “You use the alias Vector for your work. Does it indicate the mathematical meaning, or some other?”

Jan grinned. “English is a wonderful language. So ambiguous. Many words have the same meaning, yet other words have more than one meaning. In your maths, a vector has direction. Purpose, even. And in English, it may also mean the path a infectious agent takes to invade a living body.”

The other man — Jan was sure he was Russian, perhaps KGB — looked amused. “An almost poetic layering of meanings, my friend! But beware, living bodies often develop antibodies to resist such invasions.”

“Of course. Discretion is survival.”

“Very good.” The visitor rose. “Well then, you have your project and goals. I should leave you to it.” He looked at his Rolex. “I have plenty of time to catch the train back to Warsaw, but I like to arrive early. I can call the office and let them know everything is well in hand.”


At home in his flat, Jan got to work. Two wide displays, side by side, showed him the locations of thousands of computers around the world under his control. He’d come a long way in the years since he found a shabby old computer in a dumpster and brought it home, his first step to becoming Vector. He had direction, although the organisms he invaded thought he came from a different direction. Moscow wanted control of America’s satellite fleet, while making it look like a Chinese hack? A worthy challenge to be sure, but a challenge he was more than equal to.

(A relay clicks over, opening a valve. Gas hisses, pouring into the basement.)

Vector considered. His client wanted some blame to fall on Pakistan? That could be arranged. He had access to systems in Lahore and Islamabad; some were active. With a few keystrokes, his servers in China uploaded necessary software components.

(Through the apartment building, phones ring. People leave in haste, carrying what they can.)

Ignoring the commotion outside his door, he worked on. His viruses continued to infect more computers around the world. Cracking military networks was tough, but his infections gained him a toehold and opened a tunnel. What his client planned was not important —

(A surge through the power lines causes a switch to arc over in the basement, igniting the gas.)

Jan heard a thump, then the floor collapsed beneath him, dropping him and his tools into the inferno beneath. What few remains there were, were fused together in death as they never could be in life.

Living organisms develop antibodies.

#TuesdaySerial: Xenocide, pt 3

In case you missed the previous two…

• Part 1
• Part 2

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Xenocide, Episode 3
These Guys Bug Me

The Fibbies had names — Phillip Jobst and Sarah Plant — but I thought of them as Mulder and Scully from the get-go. Too bad they weren’t really Mulder and Scully; they both acted like they had batons rammed so far up their asses they would need surgery to get them out. Plant was kind of hot at first glance; not my type but Moss might get a little tongue-tied if she asked the questions. Jobst was the faux dumb-muscle type — acts stupid because you expect a big jock to be stupid, but you don’t get to be a Special Agent without above-average brain power. To be honest, I figured Jobst to be the smarter of the two; Plant didn’t know how (or actively refused) to work her assets to best advantage.

“You’re the responder?” Jobst grunted.

“I was. You’ve got my photos and the report, right?”

“What did you see?” Plant’s tone said we’re asking the questions here.

“It’s in the reports. And the photos. The — whatever it is — took a shotgun blast to the body at close range. It appeared to be wearing some kind of respiratory apparatus, and there was a bag under the body. I didn’t attempt to inspect any further.”

“Any suspects?”

“No. Plenty of people out there with the means, maybe some had an opportunity, but motive? We got nothin’. Besides a galloping case of arachnophobia. You got any better ideas?”

Plant huffed — I’d dared to ask them a question again. “It’ll take some time to assess the data, Adler. We’ll need your full cooperation in the meantime.”

That’s the way the interview went; like I told the kid, they asked the same questions several times and then wrapped it up. “If you think of anything else,” said Jobst, sliding a card across the table, “here’s a number you can call. We’ll be staying at the Garden Inn while we conduct the investigation.” There was a slight emphasis on the we. “We’ll be in touch.” They up and left without another word.

Sheriff Carmichael let them walk out the door, counted to three, and came in. Without a word, he leaned over to look under the table. He rolled his eyes and said, “Adler. I need a smoke. You want one?” He put a finger to his lips, then tapped his ear.

The Fibbies bugged us? I thought. Aloud I said, “Sure,” and followed him out the back door.

I don’t smoke, but the sheriff was trying to quit. Trying. I followed him out back, and he lit up and took a drag while I tried to stand upwind. “Quite the charmers, those two,” he said.

“Yeah.”

“I’d say it’s pretty likely our vehicles and phones have been given similar treatment. And anyone with a scanner can listen to our radio traffic anyway. So if we need to discuss anything further about this case, we’ll just step out for a smoke, right?”

“Sounds like a plan.” I liked working for the sheriff. He did things different.

The sheriff chuckled. “Anything you thought of that you didn’t tell our friends?”

“Yeah, one thing: just because the body was found along Cain’s Creek doesn’t mean the murder took place there — or anywhere else in the county. They probably thought of that anyway.”

“Sure. And they woulda said they’d thought of it even if they hadn’t.” We laughed. “I think I know what you’re thinking here, but what gave you that idea? About it being a body-dump.”

“The scene had the classic elements: it was near a road, wrapped in a blanket — even if it was the alien’s own blanket — and remote enough to not have anyone see them.”

“Wasn’t it on the other side of the creek from the road, though?”

“Right. So…”

“There’s at least two people involved. Good work, Adler. What else?”

“If they carried that thing in the trunk of a car, it’s gonna reek. It smelled strong, like worms and burnt coffee. They’ll either have the car cleaned or torch it.”

The sheriff puffed his cancer stick. “That might explain why they dropped it in our lap, instead of continuing north and leaving it somewhere it might never turn up. We’ll ask ‘em when the time comes.”

“So we’re going to keep investigating this?” I was surprised.

“Damn right.” He ground his cig out against the brick. “Nobody dumps bodies in my county and gets away with it, and I don’t care if the victim came from Forsyth County or Your Anus. And I got a hunch that our friends from Washington aren’t all that concerned with justice in this case.”

continued…

October Horror Spotlight #4

Happy Hallowe’en! I’m wrapping up this series with some real treats: free horror fiction, fresh from the blogs! Clicking the links below open a new window, so you won’t have to remember to return here for the others.

Maria Kelly’s The Were-Traveler is a newborn webzine — the first issue, Hundred-Word Halloween, was published on Saturday. I happen to have two pieces in that issue. ;-) The ‘zine focuses on drabbles (100-word stories) and other types of micro-fiction, with occasional flash or short stories.

Lake Lopez wants to “scare the hell out of you,” so he blogs at The Scary Story. There are short and long pieces to suit your scarification needs. His current serial, Sinister, is definitely worth reading.

Christian Jensen’s Beautiful Stories for Ugly Children is for those adult-types who like their erotica with a big side dish of horror. Or maybe it’s horror with a side of nookie. Whatever!

And that’s a wrap. It’ll be November in less than an hour here, so enjoy whatever’s left of the day!

#FridayFlash: Geek vs. Zombies

If there’s a moral to this story, I suppose it would be don’t mess with a geek!

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“You’re my little geek girl, Linda.” Her father’s voice came to her from years away.

“Flipping switches, turning knobs, pushing buttons,” she said aloud, and grinned. “Gotta figure out how stuff works.” What was once a passion was now a survival trait. She’d been in touch with her parents up in New York City up until the phones stopped working. Maybe they were still alive.

Linda Ma stepped away from the edge and wrote in her notebook:

Weaknesses: All senses seem dulled except for sense of smell. They can hear a gunshot, but not a bow. Sense of touch is all but gone; they ignore arrows to non-vital parts. If they are upwind, they cannot find a living person standing still in shadow.

They appear to be lazy, following the path of least resistance unless they smell prey. Stairs are difficult for them, locked doors are impossible.

Feeding habits: they are pack hunters, not scavengers. They will not eat carrion — which makes sense, otherwise they would attack each other. They will eat animals they can catch, but prefer human flesh. Packs of dogs follow them and attempt to snatch some of their kills (or tear off hunks of zombie legs) without themselves landing on the menu.

Knowledge — potentially useful — gained from a nauseating week of observation. Most of it had been done from right here, her fourth-floor rooftop garden, where the zombies got only occasional whiffs of her but no ideas how to reach her. Some of her work, though, required getting way too close. The dogs made things easier for her, though — the constant racket of their barking, nipping at zombies, and their smell (they rolled in carrion) kept them from noticing a living human lurking downwind. On the one occasion they spotted her, she reluctantly put an arrow into a dog and ran for it; they went for the easy meat.

She turned back to her notebook:

Miscellaneous: the zombies and dogs are in the process of forming a sort of symbiotic relationship. It might be useful to think of the dogs as remora, or pilot fish, but more aggressive. She pushed away the memory of what happened after she crippled one zombie with lucky shots to each knee: the dogs fell on it with gusto and left it little more than a skeleton, twitching on the street. Given the opportunity, they have no problem eating each other — but it’s possible that the dogs will start protecting the zombies, and perhaps even helping them find food, as time goes on.

She could hold out a long time. She had managed to raid a grocery store, and between that and what others left in the apartment building, she had plenty of food. Her father had immigrated here, her mother was second-generation, and they had raised her as Western as they knew how. But rice and vegetables just agreed with them all, and they made little effort to Westernize their diet. A vegetarian diet was about the only thing Chinese about her habits.

Picking up her notebook, she felt reluctant to add the next part:

How to fight: stay downwind. Attack from cover. Avoid using firearms, it seems to draw them. She remembered the small group of people who’d shot up a small pack of zombies, only to attract several larger packs with the noise. It had not ended well for the living. Crippling them is much easier than killing — the latter requires severing or destroying the head — and once crippled, the dogs will finish the job.

It may be better to take an Eastern approach, and simply remove ourselves from their path instead of trying to confront them. Their primary food supply (us) is mostly gone already, and they are not clever or quick enough to catch most animals. Zombies need an energy source, just like anything else, and without that they may finally turn on each other. Or they may simply lay down and finish dying.

“Or,” she said with a grim smile, looking at the cases of dynamite, fuses, and blasting caps she’d carried up, “you can just blow the bastards to Kingdom Come, and let the noise bring more. Lather, rinse, repeat.” It wasn’t an endless loop, but it would be a lot more fun than waiting.

October Horror Spotlight #3

I didn’t post last week because I was having way too much fun last Thursday. I ended up attending the Red Iris Books launch party on Twitter, conducted under the hashtag #TrickOrTweet. There was much swag and prizes — I got eBook copies — and the authors, S.M. Reine (@smreine) and Angela Kulig (@angelakulig), both ended up in the birdcage that is known as Twitter jail for excessive tweeting. As one of the other attendees put it, “it’s not a party unless someone goes to jail!”

And thus, I dedicate this week’s spotlight to the new indie imprint, Red Iris Books. Both books are available as eBooks (Kindle and Nook), and in paperback. As always, clicking a link will take you to the Amazon page for each book.

Let’s start with S.M. Reine’s Death's Hand (The Descent Series) since, as she puts it there’s more boobage on the cover. (She knows how to attract eyeballs.) 99¢ (Kindle eBook) or $12.99 (paperback), rated 5 stars on one review.

The blurb:

Policing relations between Heaven, Hell, and Earth is messy and violent, but Elise Kavanagh and James Faulkner excelled at it — until coming across a job so brutal that even they couldn't stand to see one more dead body. Now they've been pretending to be normal for five years, leaving their horrific history a dark secret. Elise works in an office. James owns a business. None of their friends realize they used to be one of the world's best killing teams.

After years of hiding, something stirs. Bodies are vanishing. Demons scurry in the shadows of the night. A child has been possessed. Some enemies aren't willing to let the secrets of the past stay dead…

And I have a feeling the former partners will be dragged out of retirement. This looks like an adult-oriented series; younger readers might enjoy her novel Six Moon Summer.

Angela Kulig’s Skeleton Lake is $2.99 for the Kindle edition. A paperback edition is available at B&N if you’re shopping the Nook Store. It’s rated 5 stars on two reviews.

The blurb:

Unsure if she's drowning or being saved, all Marlow wants to do is run away. Ensnared in a haunting love triangle, she realizes both boys have holes in their hearts—scars from loving the same girl, a girl who managed to stay dead.

Now she is being hunted for what she has become and what she never asked to be. Even as a Skeleton Marlow isn’t the worst thing in the night—she isn’t even close.


I hope you’ll support indie authors. There’s a lot of great stuff out there for not a whole lot of money — and yes, there’s not so great stuff, but it’s up to us to highlight the good stories out there.

There’s going to be one more Spotlight post, on Monday (Hallowe’en itself). If you know of a good story that needs spotlighting (even yours!), leave me a comment or email.

Writing Wibbles

Oh hey! Remember when I mentioned submitting two drabbles to the Were-Traveler? They were both accepted later that evening, woohoo! I’ll post a link when I get it.

I’m in the middle of a sort of writing break. I say “sort of,” because the flipside to working when you’re staring out the window is that you’re always working. But it’s a good way to fill up 20 minutes of downtime — for example, while I was waiting for choir practice to start I wrote down a few hundred words of a scene in Pickups and Pestilence, where Caitlin talks to Delphinia. That was interesting: after a false start with the opening sentence, I was off to the races. Something that I’ve known for a while but have just now put into words: if the opening isn’t working, start with dialogue. Seems like it works for me every time.

I’ll probably come up with something for #FridayFlash. Maybe something dark, as it’s the season (and I get bigger responses from darker fiction, insert evil laugh here). Speaking of responses, I’m a little disappointed in the (lack of) response to my current #TuesdaySerial. Makes me wonder if it’s that bad, or if it’s not grabbing people the way I’d hoped. I made an ePUB of the complete story and put it on the iPad for Mrs. Fetched to read; she’s found it interesting so far but I was hoping she’d have finished and offered general feedback by now. I’d like to have a couple beta readers check it out (Mrs. Fetched is an alpha reader of sorts).

On the other hand, in the last few days I won the Grand Prize of a big pile of (autographed!) paperbacks in the #LieOrDie event, and scored a couple eBooks in the #TrickOrTweet launch party from Red Iris Books. The latter was a ton of fun — the authors both ended up in Twitter Jail (is that a bird cage?) for posting too much — and I met a couple new tweeple. Tomorrow’s October Horror Spotlight will thus be focused on Red Iris.

Having decided to take a writing break, I’ve turned back to whittling my huge to-read pile. I started with G.P. Ching’s The Soulkeepers, which by coincidence is one of the paperbacks I’ll be getting from the #LieOrDie event. It was a great story — with a flaw or two, of course. But I so identified with Jacob (the main character) that I knew he was about to do something monumentally stupid and had to put the book down for a day because I didn’t want to see! (And I was right.) Yet another book that I need to review. I might combine three reviews into a single blog post this weekend.

#TuesdaySerial: Xenocide, pt 2

I combined two scenes today because they're under 1000 words combined. Hope you’re enjoying this…

Part 1

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Xenocide, Episode 2
Conversations

Ruth’s Sports Bar was a good place. Ruth was an ex-cop and knew cops and EMTs sometimes needed to talk about things nobody else needed (or particularly wanted) to hear about. She gave us a corner booth, away from eyes and ears.

The waitress left our beers — Sweetwater 420 for me (the name reminded me of the kid), Amber Bock for Tenesha. That kind of surprised me, I figured her to be a wine drinker.

“Well?” I asked.

Tenesha laughed. “Doc Dix looked at it like we brought him a camel. And the maintenance crew about quit when they got a whiff of the back of the ambulance!”

The mental image gave me a chuckle, too. “The sheriff called the Fibbies. I guess he didn’t want to deal with it either. They’re gonna be all over this town by tomorrow afternoon. I’m sure they’ll want you to give a statement again.”

“I oughtta just write it down and hand ‘em a piece of paper.”

“Good idea. Me, I can just hand ‘em the pictures I took and let them do the talking.”

“Y’know, that’s the last you’ll ever see of those pictures.”

“Yeah.” I didn’t mention I’d filled a keychain drive with copies of all my photos and paperwork, and slipped it above the ceiling tiles in the supply room — I trusted Tenesha, but didn’t want her getting in trouble covering for me. Sheriff Carmichael likely did something similar with the reports. The Fibs had resources that we didn’t, but that didn’t mean we wanted them stealing everything. It just might be needed.

“You know, Adler, it wouldn’t hurt to clue in that kid who called you in the first place. You know, about the FBI being in town and all.” Tenesha took a long swig from her bottle and held my eyes with her own.

“Good point. He could have let someone else find it and call it in.” I know it sounds weird, a cop going easy on a pothead. But that’s Sheriff Carmichael’s policy: his theory is if we let the little stuff go, people will cooperate better when something serious is up. My dad says that’s how it used to be: the cops would take drunk kids home to their parents instead of “miring the whole family in the legal and so-called correctional systems.” Thus, Jacob Moss and his alleged bag of weed wasn’t an issue unless he got stupid about it and made it an issue — on the other hand, we show no mercy to distributers or meth labs. It seems to work; we get tips, anonymous or otherwise, about anyone even thinking about setting up a meth lab in the county. Out of town feds aren’t likely to see things our way, though.

We finished talking shop and tried moving on to other topics. Afterward, I walked Tenesha out to her car and she kissed my cheek. I couldn’t get a commitment from her for a repeat, but she didn’t turn me down either. Which is probably how it should be in an exurban county; things can get busy.


I caught Jacob Moss on his way out of his parents’ house the next morning. He was bundled up in a black hoodie for the chilly October morning.

“What’s going on?” he asked, looking me over. I wasn’t in uniform, and driving my own car. “I’m not in some kind of trouble, am I?”

“Not any of your own making. Besides, I’m off-duty. But I need to fill you in on some stuff. Lemme give you a ride to school.”

Moss looked up the sidewalk. “Fine. But you gotta drop me off before we get there.”

“No problem.” He got in, and I got rolling. “You know that — that body you found yesterday?”

Moss looked out the side window, away from me. “Yeah. What about it?”

“The sheriff called in the FBI. They’ll probably want to talk to you. Ask you the same questions I did.”

He breathed a swear word. “I wish I never called you guys. Do the right thing, get pounded.”

“That’s why I came by. To let you know. We’re not the enemy, at least the county cops aren’t. You know that, right?” He gave me a reluctant nod. “Yeah. So the FBI is gonna walk into your house like they own the place, and they’re gonna give you funny looks because you wear baggy pants and black t-shirts, and one of ‘em might poke around in your room while the other one’s asking questions that sound like they think you did it. So… I’m not sayin’ you do, but if you got anything that you wouldn’t want Feds stumbling across, you might want to get rid of it. Okay?”

“No worry. I’m clean.” He didn’t sound like he meant it. “So when do you think they’ll come?”

“For you? I’m guessing tomorrow. Today they’ll hit town and grill my ass and confiscate the pictures I took. That’ll take ‘em all day, because they’ll ask me the same questions in like six different ways — then they’ll do the same to you tomorrow. Just stay calm, tell them what you told me, and you can call ‘em on it when they start asking you the same questions. They’ll be busy running down the list of everyone’s names on the report and talking to them tomorrow, so they won’t be in your space too long. As long as you don’t give ‘em a reason to hang around.”

Moss laughed. “Yeah. Thanks for the warning, Ossifer. You can let me out here.”

continued…

#FridayFlash: Cody Resolute (White Pickups prequel)

A few weeks ago, Nina Pelletier posted a writing prompt on Google+: Backstory on why you (or your character) have a certain fear. That got me thinking: what is it that Cody fears, and why? But he explained it to Sondra that night they moved into the townhouses, and I thought I’d expand on that a little. I’ve added to it since it appeared on Google+ so if you saw it there you might want to re-read anyway. This happens about three years before White Pickups begins:

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Cody Resolute

Cody hunched over himself in his bus seat, face buried in Second Foundation. He wasn’t really reading, but the book hid his wet eyes. A baseball cap covered his neat haircut. I did everything for her, he thought. Why did she do that to me? God, he hated these clothes. Designer stuff made him feel like a nerd, but she had gotten him to wear them. No more.

The sixth-grader sharing his battered bench seat was preoccupied, talking to the kid across the aisle, and Cody felt it safe to wipe his eyes. “Never again,” he whispered to the book. “I’ll die before I let anyone make me be someone else.” His parents approved of his new look, especially his mom, and that was gonna be a hassle. He pulled the ball cap down tighter. That haircut crap was something both parents were happy about, and going back to looking like Cody was going to be tricky. Even going back to wearing his real clothes might be a problem, but maybe he could do that a little at a time.

He closed the book and watched out the bus window for a while, letting the landscape go by in a blur. He cracked the window open, letting in a little fresh air. The bus reeked of teen hormones and sweat, a smell so familiar that hardly anyone noticed, but the April air felt good (even if her name was April).

After countless stops, starts, and turns, the bus stopped in front of the Laurel Hills subdivision; Cody and a couple other kids he didn’t know well got off and hiked to the clubhouse. One of the kids stopped to check the mail. The other was an eighth-grade girl, a cheerleader, and Cody had nothing to say to her. She had no intention of talking to a seventh-grader, but was offended that he didn’t try. I’m supposed to ignore you. You’re not even looking at me. She trailed behind his quick stride, glaring at his back. Too bad he’s not in high school, I’d talk to him. He’s kind of cute.

The clubhouse was a short walk from the entrance. Cody would wait here for the elementary school bus to bring Teri; the cheerleader’s ride wasn’t here yet and she stood fuming and fidgeting at the curb nearby. Dad bought the house in here a year ago, and it was an okay place. He had his own room, and it was cool to have a pool, even if it was here at the clubhouse — it was covered up right now, but it would be open next month. Cody peered over the privacy fence, thinking how cool it would be to ride his skateboard in there. He would love to ollie up onto the diving board and roll right into the pool if he could do it without getting caught.

“Not like I’ll ever get a chance to do that,” he mumbled, oblivious to the puzzled look the cheerleader gave him. He sat and opened Second Foundation, and soon lost himself along the edge of the galaxy, leaving girls and other problems light-years behind.


“Hey dork,” said Teri, blocking his sun. His sister was a pain in the butt, but he still kind of liked her. Usually. At least the cheerleader was long gone.

“Kaaaaaa-terrrrrrrr-aaaaaaa,” he said, rasping the name and dragging it out.

“Don’t call me that, dork!” She gave him the scowl that only an eight year old girl can give.

“Why not, Katera? It’s your name.” He grinned.

“I don’t care. It sounds stupid. I go by Teri, and you know it. Let’s go, you can read that stupid book at home.”

“It’s not a stupid book, Teri-ble,” said Cody, tucking it in his backpack. “You’re just too stupid to read it.”

“I’m tellin’ Mom you called me stupid!”

“Whatever.”

Home after school was always quiet. After putting his nerd clothes away (forever), Cody did his homework while Teri watched Cartoon Network and Nick Jr. The parents would be home in a couple hours, then — then Dad was grilling burgers for supper. Cody thought a moment.


“Hey Dad. Need some help?” Cody stuck his head through the sliding glass door to talk to his dad, who stood at the grill on the patio out back. Dad had a beer close at hand, like he always did when he was outside.

His dad gave him a puzzled look. Cody was wearing what his mom called “play clothes” until last year: plain blue jeans and a t-shirt with the school mascot. He still had the hat jammed tight over the parent-approved haircut. “Did your mom send you out here?”

“No. I figured I should learn how to grill burgers and hot dogs, if you wanna show me how. If you guys get sick or something, I could fix supper.”

“Well, sure. It’s never too early to start learning how to be self-sufficient.”

“Um... does that mean not depending on someone else?”

“You got it, son!” Cody’s dad grinned and beckoned him closer to the grill. “Okay, this is how you start. Stack the charcoal like this....”

Writing Wibbles

I have to admit I made little or no progress on the Pickups series this week. But I did finish a short story I started in January 2008, and actually came up with a title, Xenocide. It’s my #TuesdaySerial for the rest of the year; I kicked it off with Episode 1 yesterday. Comments (even negative ones) are always appreciated, of course. I think it’ll wrap up in the first or second week of January — by then, White Pickups should be in the eBook stores and Pickups and Pestilence should be in beta. I have a somewhat aggressive (for a guy with a day job and raising a grandkid) publishing schedule for next year: Pestilence, an anthology, and maybe a novelized version of FAR Future. If I’m really productive, maybe the first book of that YA trilogy will be out by the end of next year.


But that’s all I’ll talk about myself this post. I seem to remember seeing something about this when it hit the fan in August, but my Twitter buddy and fellow Planet Georgia denizen (and virulently anti-traditional publishing advocate) Kendall Grey reminded me about it today. The Write Lawyer weighed in on the saga of Kiana Davenport, who had the audacity to self-publish (with Amazon) an anthology to keep paying the bills while her novel was working its way through the sluggish bowels of the traditional publishing system. The publisher, Riverhead Books (a Penguin imprint), had rejected the anthology years ago but had a full-blown temper tantrum when they found out what she’d done. The editor delivered a lovely shouting session over the phone, accusing her of (among other things) “sleeping with the enemy” (i.e. Amazon). They then canceled her book and refuse to return to her the publishing rights until she returns the $20,000 advance (which she needed to pay bills and live on in the first place).

Davenport sums it up pretty well, I think, on her blog: “Sleeping with the enemy? Perhaps. But now I know who the enemy is.”


But as Kendall points out, it’s not just publishers taking far too long (to their own detriment) to adjust to the new world of self-propelled eBook publishing. After attending a local romance writers’ conference in Atlanta, she’s pretty much sworn off writers’ conferences. And, quite likely, the Planet Georgia chapter of RWA (who sponsored this conference).

All the writer conferences I’ve attended (yes, every single one) are geared for people looking for agents/editors to schmooze. … I do not belong with these people. I’m an outlier who doesn’t fit into their box. I refuse to wear their leash.

Responding to comments, of which there were many (and most supportive), Kendall did admit that there were other good things about writers’ conferences — the networking, promotional opportunities, and the like — which got me wondering. Would a writers’ conference geared toward indie- and self-publishers spark any interest? Rather than workshops on crafting the perfect query letter, what agents are looking for, and so on, the agenda could focus on topics relevant to indies:

• Setting up an author’s site
• Blogging stories
• Compiling an anthology
• Getting the formatting Just Right
• Print on Demand
• Promotion without driving all your friends crazy
• …and of course, the great plotters vs. pantsers smackdown

There could also be ad hoc crit groups and a “skills exchange” — as I wrote last week, you need a good team behind you, but not everyone has the cash upfront to hire that team. But I might be a typesetting gearhead and need an editor; she has editing chops and needs a cover artist; he can produce killer cover art and needs someone to format his own book. We could all take on the parts we’re good at, and everyone gets (we hope) a quality job without breaking the bank.

Kendall thinks I ought to take this and run with it. I don’t think I have that much time on my hands. But if people think it’s a good idea, I’ll try to facilitate it. If I get a lot of response, I’ll open up a new blog or website to keep things moving.

#TuesdaySerial: Xenocide, pt 1

This is a story I began in January 2008, the kind of scifi-detective mashup I've always wanted to do, and never finished. I first envisioned it as a flash, but soon realized I would need a lot more room to tell this tale. I got hung up on it, moved on to other things, but Deputy Adler was sitting in the back of my mind, waiting for a connection. Things got rolling earlier this month, taking the story from 600 to 2900 words — then I had a word-storm over the weekend, adding another 3300 words in two days. I think I have 1500–2000 words to go, and I know how it's going to end and wrap up. It won’t get left hanging, and it won’t blow up into another gigantic three-year project.

So come ride with an exurban cop on the strangest case he’ll ever see…

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Xenocide, Episode 1
The Smell of Worms and Burnt Coffee

“Do I have to say it all over again?” The kid looked frustrated and nervous. “I bought a Coke up here and was gonna drink it down at the creek. I like to sit down there, y’know? It’s cool and quiet.

“So I smelled something weird, and walked down there —” he flailed a hand downstream — “and saw the body. I smelled a dead deer once, and that didn’t smell nothin’ like this. I ran back up here to the gas station and called you guys. So can I go home now?”

“Yeah,” I said. “You might have to tell it one more time, in front of a judge. But it’ll just be a deposition. You won’t have to go to court. You want a ride home?”

The kid — Jacob Moss — shook his head and got moving. Like as not, he had a little weed on him, but he wasn’t a troublemaker. If he didn’t get stupid about it, we’d never have to do business again.

“Hey, Adler. Steve.” It was Tenesha Davies, one of the EMTs. Short, black, all business, but cute as all get-out. “You gonna come down and process your crime scene so me and Ali can — we’re not sure — well. Come see for yourself.”

I ducked under the tape and took pictures of the scene, and Tenesha started talking. “Whatever that thing is down there, it’s ain’t human.” Now that we were back down at the creek, she seemed a little pale under her coffee complexion. 

“You sure? It could have been here a while.” But Moss was right: the smell was wrong. Dead people don’t smell like worms and burnt coffee. I handed Tenesha the camera and approached. The body was wrapped up in something like a blanket, with a leg sticking out. The light was tricky down here, and I suspected the leg was broken; I could see how someone might have jumped to conclusions — but Tenesha? I held my breath and flipped the blanket back.

My brain went in several different directions at once. The cop saw the telltale pattern of a shotgun blast at close range. But the college biology student saw a pattern that looked more arachnid than human: oblong body, way too many limbs, and something that sort of looked like a breathing mask. A deeper part of me just wanted to get away from that smell and that sight. A long way.

“Some kind of animal?” Tenesha said.

“Not an animal. Animals don’t wear masks and carry stuff.” I pointed to the mask and what looked like a bag underneath the body. “But you’re right, it ain’t human.”

“So what do we do with it?”

“Take it to the morgue. Let Doc Dix figure out what to do with it. Then we could get us a coffee.” I hoped. “Here, hand me the camera. I need some more shots before I process this. Can you hang around until I finish?”

“Me and Ali have to cart this thing off. We ain’t goin’ nowhere. Much as I’d like to do just about anything else.”

“Me too.” I took a shallow breath. “Can you guys keep this quiet? I don’t think we want this all over the evening news.” I paused. “Yeah, the kid will talk, but nobody’s going to take a pothead seriously.”

“I’m not sure if anyone would believe we carted a dead alien, for that matter. But yeah, we’ll keep it quiet. Human or not, this is a crime scene.” She smiled. “Maybe we’ll need something a little stronger than coffee.”

continued…

#FridayFlash: On the Georgia Road 4

If you missed any of the others in this irregular serial, they’re here:

#1: the commuter
#2: interstate patrol
#3: lake property house-sitters

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“And now for your ‘Viewer Feedback.’ We’ve received a lot of email concerning Sean McKinzie’s ‘On the Georgia Road’ series. Most of the responses have been positive, and Keri B. of Decatur is typical:”

Cut to: mail animation. Paper springs from letter, text fades in. Marcia voiceover: “Please give my thanks to Sean McKinzie for such an informative series. We’ve been putting off our annual camping trip in the North Georgia mountains, since we’ve been concerned about safety, but it looks like there’s really nothing to worry about. Thanks again!”

Cut to: Marcia. “Those who gave our coverage a thumbs-down fell into two camps. Steve L. of Norcross is one example:”

Cut to: mail animation. Marcia voiceover: “This drivel is typical of the happy-babble that TV news has been for decades. Shame on you for trivializing the very real hardships that people in Unincorporated areas have to face every day! If you want to know the real story, you could talk to my brother. He and his family escaped, and are living with me now.”

Cut to: Marcia. “Bobby J. of Marietta was also negative, but for a very different reason:”

Cut to: mail animation. Marcia voiceover: “Count on the media to exaggerate problems. No government interference, and you get a $5000 tax credit on top of that? If someone in Unincorpated [sic] territory wants to trade places, get in touch!”

Cut to: Marcia. Ironic smile. “It’s good to know we haven’t lost our knack for simultaneously trivializing and exaggerating the issues. And now, doing two opposite things at once, it’s Sean McKinzie, ‘On the Georgia Road’ in Milledgeville. Sean?”

Cut to: Sean, exterior, trailer park. “Thanks, Marcia. Rather than venturing into Unincorporated Georgia, today we’re in Milledgeville, in the heart of the Georgia Quadrangle. Milledgeville is a boom town these days, due to the number of people relocating from Unincorporated areas.”

Cut to: view of trailers. Sean voiceover: “The Baldwin County Fairgrounds is now home to the largest Relocation Center in the state. Many people leaving Unincorporated areas move in with friends and relatives while looking for work, whether in Atlanta or any of the other metro areas along the corners of the Quadrangle. Those who don’t have that option often come either here or to a similar Center in Statesboro.”

Cut to: interior, office. Title: Kwame Grammer, FEMA Director, Milledgeville Relocation Center. “People choose to relocate for many reasons, but most of them boil down to either health or economics. People with chronic health issues need to be near stocked and staffed medical facilities. Others need work.”

“Understood. But why FEMA?”

“The federal government considers chronic energy shortages to be an extended emergency. After a natural disaster, like an earthquake or hurricane, resources are often unavailable — and in the Unincorporated areas, resources are nearly always unavailable.”

Cut to: stock shot, office workers. Sean voiceover: “Upon arrival at a Relocation Center, people’s skill sets are entered into a database and matched with open jobs. Most, of course, don’t find a match right away. But some skills, such as healthcare, have more positions open than people. In general, people with college educations can find work in their field while lower-skilled positions have plenty of people to fill them. But for some, jobs aren’t the primary issue.”

Cut to: interior, elderly woman. Title: Janice Pernal / relocated from Rome GA. “Even if there was gas, I haven’t been able to drive for a long time now. My church brought me groceries and took me places, and made sure I had firewood for the winter. But I got sick about when they stopped bringing fuel, and it got harder for them to look after me like they did just when I needed to see a doctor. The preacher-man talked me into coming here, and they brought me to Atlanta. The gov’mint folks carried me down here from there.

“I get to missin’ my old home, though. They tell me I won’t live too long without healthcare, but I might just find a way home anyway. If I can pass away in my old place, amongst the memories I have there, I don’t think that would be so bad.”

Cut to: exterior, young man talking. Sean voiceover. “For most, relocating comes down to one thing: economics.”

Title: Ray Beckwith, electrician / relocated from Hiawassee GA. “Even with the tax credit, I wasn’t gettin’ enough work where I could drive around to the jobs. Some of us were pooling our money and takin’ a truck down to Gainesville once every coupla weeks for groceries, but the gas started costin’ more than the groceries. Then someone siphoned the gas outta the truck, and we were SOL. I got lucky, FEMA hired me on to take care of wiring here in the trailer park. The kids are catchin’ up with their schoolwork, and we got lights. You don’t know how big a deal that is until you don’t have ‘em for a while. The trailer’s about the same size as the one we lived in up in Hiawassee, so we got room at least.”

Cut to: exterior, middle-aged couple, Sean voiceover. “Rarely, some who leave their Unincorporated homes behind decide they were better off where they were.”

Title: Frankin and Sarah Burke, Toccoa GA. “Sure, it’s rough up there. Don’t hardly get no power, can’t find work, so we thought we’d come give this a try. Yeah, the lights come on and all, but we’re crowded in with a bunch of folks we don’t know and we still can’t find work. People in town look at you like you’re a bleep. The FEMA people helped get us a loan against our tax credit so we can get some solar things to run our lights. We got a good garden at home, we’ll get by.”

Cut to: exterior, trailer park, Sean. “The Burkes tell us they’ll invite us up some time, to see how they’re doing. Until then, in Milledgeville, I’m Sean McKinzie.”

October Horror Spotlight #2

Welcome to the second spotlight post. Here’s a few more books for your reading enjoyment. (If you’re running an ad-blocker, you might need to turn it off for farmanor.blogspot.com to see the links for some reason.)

Dark Tomorrows is a collection of short horror stories by various authors. Reviews on Amazon are divided equally among “love it!” and “hate it!” for some reason. I’m in the “love it!” camp, giving it five stars. You can see my review under my real name on Amazon if you want the full monty.

Three of the stories stood out in my mind, perhaps the three longest ones. I felt like one story — Amanda Hocking’s “The Second Coming of Pippykins” — didn’t really belong in here. Not because it was a bad story, it just wasn’t a piece of dark fiction. It was actually humorous to me. Her other story, “Of Shoes and Doom,” was also chuckle-worthy but still dark. If her other work is this amusing, I’ll have to try reading some of her novels.

I got Dark Tomorrows when it was free, but it went back to being 99¢ last night — just in time for it to get the Horror Spotlight treatment. It’s definitely worth the pittance, in my opinion.



Now on to the stories I’ve been pointed toward this week…

Fear in Words, Vol. 1 (The Stories) by Jason Darrick is another anthology. Darrick bills it as “Five short horror stories. Each is unique in the fear it brings, some cerebral, some more visceral.”

This one is also 99¢, and gathering rave reviews (all 4- and 5-star) so far.

No Laughing Matter by Jim Bronyaur is a novella about a murdered clown that won’t stay dead. Now that’s a scary premise. Some people are afraid of living clowns… an undead clown is like triple the terror.

One (4-star) review so far. Sounds like plenty of shivers for 99¢.




Who gets the spotlight next week? That’s up to you. Let me know about horror from an indie author (even if you’re the author) and I’ll put it in the queue!

Writing Wibbles

I’m a few hundred more words into Pickups and Pestilence, which is that much closer to putting the finishing touches on this project. I’m enjoying the part I’m working on now, leading up to Cody’s final showdown with the trucks and their creator’s proxy. You ever get that kind of blockage where you know what you want to write, and can even recite some of the passages in your head, but just can’t seem to get it down on paper? But once you get that first sentence down, the rest just pours out like syrup.

Actually preparing to self/indie-publish a novel has called to mind a particular scene from Mason’s favorite movie, Cars. After the first race, the retiring veteran The King (voiced by Richard Petty himself) tries to give some advice to the vainglorious rookie Lightning McQueen: “This ain’t a one-man deal, kid… you ain't gonna win unless you got good folks behind you.”

And yes, that’s how writing is like NASCAR. The driver, or author, is the one whose name is plastered on the car (book). And that’s the person who gets cheered or booed — the pit crew or editor can screw up or save the day, but they’re rarely (or ever) named. The NASCAR driver has mechanics and engineers who optimize the car for each race, has a pit crew to get the car back out on the track, and (especially at the big-money Nextel Cup and Grand National levels) has sponsors providing funding. In the same way, a successful author is the most visible member of a team that includes beta readers, editors, cover designers, typesetters, and (again, at the big-money levels) publishers who turn a story into a book. Now some authors, especially at the indie level, might do their own cover design or typesetting (which translates to eBook formatting in this century), and many people are their own publishing house. But it’s when authors or drivers go in thinking it’s a one-person show, that things don’t go so well. There are no guarantees — drivers and authors alike can land a big sponsor or publisher, and still end up at the back of the pack — but “[getting] good folks behind you” is necessary to do well both on the track and in the Kindle Store, Nook Store, iBooks, or Smashwords.

On the really short end of story telling, Maria Kelly’s The Were-Traveler is looking for submissions for a Hallowe’en Drabble issue. A “drabble” is a story that runs exactly 100 words, no more no less. As Maria puts it, “The trick to writing a good drabble is a great twist ending. Give me that, and you’re in.” I managed to come up with two and sent them in. I never wrote a drabble before (deliberately, at least), so I hope I did OK. The page I linked to itself links to submission guidelines and the preferred word-count tool — yes, different word counters can and do come up with different results. My own metric of “leave three blank lines on a Moleskine page” gets it in the ballpark, anyway. If you want to give it a shot, the deadline is October 20th (extended from the 10th, which was good for me because I only figured out the subjects of my drabbles on the 10th).

Tomorrow is the second October Indie Horror Spotlight. I don’t see any reason (right now) to not have it up on time this week.

Let There Be Light

You know I wouldn’t pass up a chance to re-use this picture, right?

Tuesday evening, I was playing with Mason under his bed for a few minutes. When I went to get up, I put my left knee down on the register grate… then put my entire weight on that knee. HURT I limped around for a few minutes until the pain went away and didn’t think much of it.

Until that night, when it hurt enough to wake me up. Ibuprofen was my friend then and for the next two nights. It never got to the point where I couldn’t walk on it, or needed my friend Reality the crutch, but I didn’t like it much. From then until Friday afternoon, when the pain subsided, I didn’t do much tweeting, blogging, or writing. I’d planned to post yesterday’s October Horror Spotlight on Thursday, but it was one of the casualties of the week.

So when I got home from work on Friday, I got crackin’ on my #FridayFlash and got it posted.

But Saturday brought new issues to the fore. Ever since the fluorescent fixture in our bathroom crapped out again last winter, we’ve been getting by with a lamp on the vanity. It hasn’t been a wonderful workaround — it gave just enough light to be useful, but took up space and we kept trying to flip the switch. We finally decided to do something about it and picked up a new fixture at Home Despot.

As with any project, I realized I needed more parts once I actually got started, not to mention getting the wrong parts for the next thing, so back I went. With everything I needed, the actual job took less time than the round trips needed to get the stuff. (I took the picture with auto-exposure set to −2 so the light wouldn’t blow out the whole picture.)

A less annoying, but still necessary project, completed the electrical work at FAR Manor. One of the dimmers in the living room wasn’t working right, and I decided to get something that didn’t have a large protruding knob that Mason or Skylar could put a lot of sideways force on. What I really wanted were the new touch-plate dimmers, but they didn’t have any rated to work with dimmable CFL or LED bulbs. So I settled on sliders with rocker switches.

One of the things I got on my second trip was a wall plate and a 3-way switch. It turns out that they don’t have a wall plate with two big rectangular cutouts (slider size) and one small (regular switch size). So I replaced the working switch with a rocker so I could get a plate to fit them all.

Unlike the bathroom light, where I just had to turn off a switch to have safe working conditions, we had to find the breakers for the dimmers. Once that was accomplished, I got to work… OH $#¡+ the 3-way switch was on another circuit we hadn’t shut off! Mrs. Fetched fixed that by hitting the main breaker, and I got that job finished without any further tingly zappage.

So I have a good dimmer and a good 3-way switch in the parts drawer now. I think I know where I want to put the dimmer…

October Horror Spotlight #1

If I don’t do this now, I’ll feel guilty about it all week. I was planning to have this one ready for Thursday, but I managed to hurt my knee by putting all my (not insubstantial) weight on it while it was resting on a register on Tuesday evening while playing with Mason under his bed. It hurt enough that I couldn’t even blog about it, and I blog about everything. The pain faded to background level some time Friday evening, in time to get a (late) #FridayFlash done.

So, without further ado… it’s time to spotlight some horror fiction by indie authors. Even with repeated begging on Twitter, I had to mostly dig up (haha) this week’s entries on my own. Maybe people will understand I’m serious about this and help me out the rest of the month. Prices listed are for Kindle eBooks. If you have a Nook or other eReader, I’m sure many of these titles are also available on Smashwords as well.

Here be Monsters — a free anthology of horror. The author list includes two Twitter friends of mine, S.M. Reine and Jeremy Shipp.

Seed (Ania Ahlborn) — Here’s a creepy little tale that will keep you reading. I owe Ania a full review, so I won’t go any farther here. Of the (so far) 92 reviews on Amazon, well over half of them are 5 star and there are very few ratings less than 4 stars. For a 99¢ eBook, that's saying something.

From Dark Places (Emma Newman) — UK author Emma Newman, aka @EmApocalyptic on Twitter, brings us an anthology of dark fiction. If you prefer to read from paper, that option is open as well. ($4.99)

Season Of The Harvest (Michael R. Hicks) — Murder and interstellar intrigue around genemod food? This sounds like a fascinating story, and I’ll grab it myself once I work down my current “to-read” pile. Another book whose Amazon ratings are top-heavy with 5- and 4-star reviews. ($2.99)

Don't Fear the Reaper (Michelle Muto) — This sounds like an interesting story, dealing with the afterlife for suicides. Of the 5 reviews on Amazon so far, every single one is 5 stars. ($2.99)


All right — if you’re an indie writer, and you want your day on the blog, email me at FARfetched58 at aim dot com.