Writing Wibbles

Woohoo! The words are flowing, and of course I need to get some edits cranked in. Oh well.

+Tony Noland tagged me in the Writing Process blog hop, in which you answer a few questions. Turns out I did this a couple months ago, but completely forgot. But I figured since I needed a Writing Wibbles topic, this was ready-made. Answers can change from time to time, right? So here they are:



1. What am I working on?

Good timing. This week, I just finished two stories that have been hanging around and waiting for me to get back to them. They suddenly turned into Shiny Writing Things and demanded all the attentions.

The first, Marginalia, is a side-story in the Accidental Sorcerers timeline, starring Mik’s friend Charn. The Prince has all the sorcerers up at the palace, leaving the apprentices stuck with minimal guidance. A new girl apprentice is distracting Charn, and someone is writing cryptic messages in his book. Something strange is going on, and Charn’s caught in the middle. Currently 13,600 words. (There’s an allusion to this story in The Sorcerer’s Daughter, if you’re curious.)

The second, The Magic App Store, is a sequel to The Crossover. The Trickster has touched Annie, and she recruits Chelinn and his Earthly apprentice Chuck to help her build a website that sells magic spells. This leads to widespread abuse of magic, and a problem that requires Chelinn and all his new friends to put right. (And it’s not a shadowy government agency trying to get all the magic for themselves, although they’re there, too.) Currently 17,000 words.

With those out of the way, I can get back to focusing on the primary stuff. The edits for Into the Icebound are done, and I need to finish cranking those in. I’ll soon be working on the next story in the series, tentatively called Lost in Nightwalk.


2. How does my work differ from others of its genre?

These aren’t 140,000 word epic fantasies, although the first four Accidental Sorcerers books run close to that put together. I write novelettes and novellas, 45,000 words or less, that you can read on your phone.


3. Why do I write what I do?

I’ve always enjoyed fantasy worlds. Like Annie in The Magic App Store, I always wanted to have magical abilities myself. Creating words and writing stories is kind of like magic, though!


4. How does my writing process work?

I sit at the keyboard. The keyboard might be attached to my tablet if I’m mobile, or my desktop if I’m at home. I start pounding. Words come out. Sometimes they’re not all that good, in which case I stomp them and keep writing. Yes, I edit as I go. But I’ll do a complete edit after I finish, before sending it to beta writers. I also have to prod the cover designer (part of the co-op) and the editor (not part of the co-op) to work their own particular magic.

The closest thing I get to an outline is a list of notes in Scrivener: this happens, this happens, this happens. I’m not always sure how it’s going to end before I begin, which means that sometimes I keep writing because I want to know how it ends. This can lead to interesting additions to the notes, like what I had at the end of Marginalia for the longest time:

Then what?
Profit!
The End. :-P

For production, I live by my checklists. I will forget something critical without them. So much not-writing stuff to think about.